Soon after their return to Chicago, Celeste began to observe changes in her husband's manner. He gave up newspaper illustrating and went in for water colors and began to take lessons in oil painting. The cleverness of Jud Sherrod, the boy, was not wanting in the man. In a short time the born artist in him was mastering the difficulties of color and he was painting in a manner that surprised not only his critical friends but himself. He toiled hard and faithfully; his little studio on the top floor of their home was always a place of activity. Feverishly he began these first attempts at coloring, Celeste his only critic. With loving yet honest eyes she saw the faults, the virtues and the improvement. He worked day and night, despite her expostulations. The bright eyes he turned to her when he took them from the canvas were not the gray, hungry ones that dulled into reverie when he was alone with his pigments. His eyes saw two dancing faces in the colors as he spread them: one dark, distressed, and weary, the other fair, bright, and happy. There came to him a powerful desire to see Justine, but with it the fear that he could not leave her if he again felt her presence touching his. For an hour at a time, day after day, he would hold Celeste in his arms, uttering no word, stroking her hair, caressing her face, gloomily repentant. The enormity of his mistake--he would not call it crime--had come full upon him. It was not that he had broken the laws of the land, but that he had deceived--deceived. Men about town remarked the change and wondered. Douglass Converse, in anxiety, sought to ascertain the cause, fearing to find Celeste unhappy. She was, beyond doubt, blissfully happy, and he fell back upon the old solution: Sherrod was not well. The latter, in response to blunt questioning, told him he was not sick, not tired, not worried, but his heart quaked with the discovery that the eyes of his friends were upon him and always questioning. "Dudley, dear, let us go to Florida next month," said Celeste one night as they drove home from the theatre. He had drooped moodily through the play and had been silent as they whirled along in the carriage. In casting about for the cause of his apparent weariness, she ascribed it to overwork. "Do you really want to go, Celeste?" he asked, tenderly. "Will the stay down there do you good?" "I want to get away from Chicago for awhile. I want to be where it is bright and warm. Why should we stay here through all this wretched winter when it is so easy to go to such a delightful place? You must finish your picture in time to start next month. You don't know how happy it will make me."