He had seen, with increasing alarm, the change in Jud's manner and
appearance. The anxious look in Celeste's eyes was but poorly
concealed of late; he feared that all was not well with them. There
was no mistaking Jud's attitude toward the world and the genial friends
of old. The newspaper men who had been his boon companions a few
months before now saw nothing of him. He and Celeste rarely were seen
in society, seldom at the theatres and cafés; it was as though they had
dropped entirely away from the circle which had known them so well.
The excuse that he was busy in his studio was sufficient until even
outsiders began to see the change in him. It was impossible to hide
the haggardness in his face.
Converse, sitting opposite Celeste in the drawing-room, saw depression
under the brave show of cheerfulness in her face. His mind was filled
with the possibilities of the moment. Over the telephone she had said
that she wanted to see him on a matter of considerable importance. His
first unuttered query on entering the hall was: Where is Sherrod? He
had expected a greeting from him on the moment of his arrival. Before
the short visit was over, Converse was plying himself with scores of
silent and unanswerable questions.
"Where is Jud?" he asked, after the first commonplaces.
"At work in the studio," she replied. He noticed the change of tone,
but tried to look uninterested.
"He's working a trifle hard these days, isn't he?" he asked, casually.
Somehow, he felt relieved on hearing that Jud was at work. He
discovered that he had feared--something, he could not define.
"What is he doing, Celeste?"
"Something for the Milwaukee people I was telling you about not long
ago. They insist on having the paintings before the first of February."
"Before February? Why, that's--" But he checked the exhibition of
surprise and went on with admirable enthusiasm--"That's a surprisingly
nice order. It proves that he has made a hit and that the market for
his work is immediate."
"But he is working too hard, Douglass," she cried, unreservedly. The
look in his eyes changed instantly.
"I was afraid so," he said. Then, eager to dispel any feeling of
hesitancy she might have, he broke out, bluntly: "You are very much
disturbed about him, aren't you, Celeste? I know you are, but I think
you should find some comfort in knowing that the work will soon be
completed and you can both run away for a good rest."
"I can't help being worried," she said, in low tones, as though fearing
her words might reach Jud's ear in the distant studio. "Douglass, I
want to talk with you about Jud. You will understand, won't you? I
wouldn't have asked you to come if it were not that I am very much
distressed and need the advice and help of some one."
"Isn't it possible that you are needlessly alarmed?" he asked,
earnestly. "I'm sure it can be nothing serious. You will laugh at
your fears some day."
Public-domain text, read in full here on John Shaqi.
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