"They's a mighty nice-appearin' couple, but dinged 'f I see how they're
goin' to git along. Jud ain't got no more bizness workin' on a farm
than a hog hez in a telegraft office. Course, his pap was a farmer,
but Jud's been off to seminary. He don't give a dodgast fer the farm,
nohow, an' I perdict that she'll haf to keep on teachin' school fer a
livin'. Course, that little land o' hern might keep 'em goin', but I
bet a barrel o' cider 'at Jud won't be wuth a bushel o' corn-husks at
runnin' it. He's a dern nice boy, though, an' I'd hate like Sam Patch
to see a morgidge put on the place. What she'd orter done wuz to
married some big cuss like Link Overshine er Luther Hitchcock. They'd
'a' made somethin' out'n that little eighty up yander, an' she'd never
need to worry. Dinged if she ain't put' nigh the purtiest girl I ever
see. Looks jest like her ma. 'Member her? Don't see what she ever
could see in Jud Sherrod. He cain't do a dasted thing but draw
picters. His pap had orter walloped him good an' made him chop wood er
somethin', 'stead o' lettin' him go on the way he did. They do say he
kin sketch things powerful fine. He tuck off a picter uv Sim Brookses'
sucklin' calves that was a daisy, I've hearn. But that ain't farmin'
by a dern sight."
Even Jud and Justine had looked forward to the great day with anxious
minds. Both realized the importance of the step they were to take, for
they were possessed of a judgment and a keenness uncommon in young and
ardent lovers. Justine, little more than a girl in years, knew that
Jud was not and never could be a farmer; it was not in him. He knew it
as well as she, though he was not indolent; he was far from that. He
was ambitious and he was an indefatigable toiler--in art, not of the
soil. He was a born artist. By force of circumstances he was a
farmer. The tan on his hands and face, the hardness in his palms had
not been acquired unwillingly, for he was not a sluggard, nor a
grumbler. He plowed, though his thoughts were not of the plowing; he
reaped, though his thoughts were not of the harvest.
They had been sweethearts from childhood. They had played together,
read together, studied together, and suffered together. It seemed to
them that they just grew up to their wedding day, a perfectly natural
growth. Had this marriage come five years earlier everything would
have been different. Instead of the little cottage, clean, cozy, and
poor, there would have been the big white house on the hill, surrounded
by maples and oaks; instead of the simple gown of white lawn there
would have been a magnificent silk or satin; instead of the sympathy
and the somber head-shakings of wedding guests there would have been
rejoicing; and approval.
Public-domain text, read in full here on John Shaqi.
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