In the afternoon he was directed to the room of the newspaper artist.
He carried with him his batch of drawings, and his heart was in his
shoes. Already he had begun to learn something of the haste of city
life. How could he hope to win more than the passing attention of the
busy man? Several girls in the counting-room giggled as he strode by,
and his ears flamed red. He did not know that more than one of those
girls admired his straight, strong figure and sunburnt face.
The artist was drawing at his board when Jud entered the little room
facing Fifth Avenue. There was no halo of glory hovering over the
rumpled head, nor was there a sign of the glorious studio his dreams
had pictured. He found himself standing in the doorway of what looked
like a junk-shop. Desks were strewn with drawing-boards, cardboard,
pens, pads, weights, thumb-tacks, unmounted photographs, and a
heterogeneous assortment of things he had never seen before. The
cartoonist barely glanced at him as he stepped inside the doorway.
"Morning," remarked the eminent man, and coolly resumed work on the
drawing. Jud was stricken dumb by this indifference, expected as it
was. He forgot the speech he had made up and stood hesitating, afraid
to advance or retreat.
"Is this Mr. Brush?" he asked at length, after his disappointed eyes
had swept the untidy den from floor to ceiling. Was this the room of a
great artist? Shattered dream! The walls were covered with flaring
posters, rough sketches, cheaply framed cartoons, and dozens of odd and
ends, such as one sees in the junk-shops of art.
"Yes," was the brief response. "Have a chair. I'll talk to you in a
minute." Jud sat in a chair near the door, his fingers spasmodically
gripping the humble package of drawings he had brought all the way from
the fields of Clay township to show to this surly genius whose work had
been his inspiration.
"Fine day," said Mr. Brush, his head bent low over the board.
"Yes, sir," responded the visitor, who thought it one of the most
dismal days in his life. After fully ten minutes of awkward silence,
during which Jud found himself willing to hate the artist and that
impolite pen, the artist straightened up in his chair and for the first
time surveyed his caller.
"Do you want to see me about something?"
"I want to show you some of my drawings, if you have time to look at
'em--them, sir," said Jud timidly.
"Oh, you're another beginner who wants a job, eh?" said the other, a
trifle sardonically. "Let's see 'em. I can tell you in advance,
however, that you'll have a devil of a time finding an opening in
Chicago. Papers all full and a hundred fellows looking for places.
Live here? Oh, I see--from the country." This after a swift
inspection of his visitor's general make-up. "I am a little busy just
now. Can you come in at six o'clock?"
Public-domain text, read in full here on John Shaqi.
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