The Ship-Dwellers: A Story of a Happy CruisePaine, Albert Bigelow
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The Ship-Dwellers: A Story of a Happy Cruise
Paine, Albert Bigelow
Middle East -- Description and travel
If there had been anything resembling a chair there I should have sat
down. As it was I took hold of the little railing, for my knees had a
watery feeling which I felt was not to be trusted. That pocket-book
contained my letter of credit; all my money, except a little change; my
tickets, my character--everything that an unprotected stranger is likely
to need in a strange land! When I got my breath I dived into all my
pockets at once, then went through them categorically, as much as three
times apiece. I had never realized I owned so many pockets or that they
could be so empty, so useless.
Those Bedouins had done it, of course. I rushed back to the orange-man,
and in a mixture of three languages which nobody, not even myself, could
understand, explained my loss. He shrugged his shoulders in French,
elevated his hands in Egyptian, and said "No can tell" in English. I
glared around at the contiguous Bedouins, but they all looked
disinterestedly guilty. In a mixed daze I went back to the guard, and
crept through when he was attending to another passenger. I still held
the bag of oranges, and handed them to Laura, who was quietly waiting,
looking out the window at the passing show. Little did she guess my
condition, and how could I tell her?
It was quite by chance that I glanced up at the overhead rack where I
had stowed our smaller packages. Ah me! The gates of bliss open wide
will never be a more inspiring sight than what I saw there. There it
lay--that precious pocket-book! In the disordered mental state of our
arrival I had for some unguessed reason taken out my pocket-case and
laid it there with the other items. It was safe--safe in every detail.
The world suddenly became glorified. Those Bedouins were my brothers. I
would have gone back and embraced them if the train had not begun to
move.
Yes, I shall always remember Alexandria.
There is a continuous panorama between Alexandria and Cairo, absolutely
fascinating to one who has not seen it before, and I wonder how it can
ever grow old to any one. Almost immediately there was water--the Nile,
or one of its canals--and stretching away, a dead level of
green--lavish, luxurious, blossoming green--the delta-land of Lower
Egypt, the richest garden in all the world. A network of irrigation; mud
villages that might have been made by wasps; a low-dropping sky that met
the level green--these made a background, and against it, along the
raised road that follows the Nile, an endless procession passed.
Public-domain text, read in full here on John Shaqi.
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