English poetry -- Translations from German; German poetry -- Translations into English
A more recent and impartial critic (Müller, "Chips from a German Workshop,"
Vol. III.), thus suggestively sets forth the varied grounds of Brandt's
wonderful popularity:--"His satires, it is true, are not very powerful, nor
pungent, nor original. But his style is free and easy. Brant is not a
ponderous poet. He writes in short chapters, and mixes his fools in such a
manner that we always meet with a variety of new faces. It is true that all
this would hardly be sufficient to secure a decided success for a work like
his at the present day. But then we must remember the time in which he
wrote.... There was room at that time for a work like the 'Ship of Fools.'
It was the first printed book that treated of contemporaneous events and
living persons, instead of old German battles and French knights. People
are always fond of reading the history of their own times. If the good
qualities of their age are brought out, they think of themselves or their
friends; if the dark features of their contemporaries are exhibited, they
think of their neighbours and enemies. Now the 'Ship of Fools' is just such
a satire which ordinary people would read, and read with pleasure. They
might feel a slight twinge now and then, but they would put down the book
at the end, and thank God that they were not like other men. There is a
chapter on Misers--and who would not gladly give a penny to a beggar? There
is a chapter on Gluttony--and who was ever more than a little exhilarated
after dinner?
There is a chapter on Church-goers--and who ever went to church for
respectability's sake, or to show off a gaudy dress, or a fine dog, or a
new hawk? There is a chapter on Dancing--and who ever danced except for the
sake of exercise? There is a chapter on Adultery--and who ever did more
than flirt with his neighbour's wife? We sometimes wish that Brant's satire
had been a little more searching, and that, instead of his many allusions
to classical fools (for his book is full of scholarship), he had given us a
little more of the _chronique scandaleuse_ of his own time. But he was too
good a man to do this, and his contemporaries were no doubt grateful to him
for his forbearance."
Public-domain text, read in full here on John Shaqi.
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