“No, they’re only bandsmen; and they’re too young. But I expect the
Colonel was there. He’s upstairs in the Mayoralty, dining.
He’s quite an old man, but I’ve heard father say he was as brave as a
lion when the fighting happened.”
The girl climbed off the gun.
“I’m going to have a look at him,” she said; and turning her back on
Taffy, she sauntered off across the square, just as the band struck
up the first note of the overture from _Semiramide_. A waltz of
Strauss followed, and then came a cornet solo by the bandmaster, and
a medley of old English tunes. To all of these Taffy listened.
It had fallen too dark to read, and the boy was always sensitive to
music. Often when he played alone broken phrases and scraps of
remembered tunes came into his head and repeated themselves over and
over. Then he would drop his game and wander about restlessly,
trying to fix and complete the melody; and somehow in the process the
melody always became a story, or so like a story that he never knew
the difference. Sometimes his uneasiness lasted for days together.
But when the story came complete at last--and this always sprang on
him quite suddenly--he wanted to caper and fling his arms about and
sing aloud; and did so, if nobody happened to be looking.
The bandmaster, too, had music, and a reputation for imparting it.
Famous regimental bands contained pupils of his; and his old pupils,
when they met, usually told each other stories of his atrocious
temper. But he kept his temper to-night, for his youngsters were
playing well, and the small crowd standing quiet.
The English melodies had scarcely closed with “Come, lasses and
lads,” when across in Mayoralty a blind was drawn, and a window
thrown open, and Taffy saw the warm room within, and the officers and
ladies standing with glasses in their hands. The Colonel was giving
the one toast of the evening:
“Ladies and gentlemen--The Queen!”
The adjutant leaned out and lifted his hand for signal, and the band
crashed out with the National Anthem. Then there was silence for a
minute. The window remained open. Taffy still caught glimpses of
jewels and uniforms, and white necks bending, and men leaning back in
their chairs, with their mess-jackets open, and the candle-light
flashing on their shirt-fronts. Below, in the dark street, the
bandmaster trimmed the lamp by his music-stand. In the rays of it he
drew out a handkerchief and polished the keys of his cornet; then
passed the cornet over to his left hand, took up his baton, and
nodded.
What music was that, stealing, rippling, across the square?
The bandmaster knew nothing of the tale of Tannhauser, but was
wishing that he had violins at his beck, instead of stupid flutes and
reeds. And Taffy had never heard so much as the name of Tannhauser.
Of the meaning of the music he knew nothing--nothing beyond its
wonder and terror. But afterward he made a tale of it to himself.
Public-domain text, read in full here on John Shaqi.
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