To stop the course of death’s inflaming tides,
Th’ infected member from the trunk divides.
END OF THE SECOND CANTO.
THIRD CANTO.
THE SCENE IS EXTENDED FROM THAT PART OF THE ARCHIPELAGO WHICH LIES TEN
MILES TO THE NORTHWARD OF FALCONERA, TO CAPE COLONNA IN ATTICA.
THE TIME ABOUT SEVEN HOURS,—FROM ONE, UNTIL EIGHT IN THE MORNING.
ARGUMENT.
I. The beneficial influence of Poetry in the
civilization of Mankind—Diffidence of the Author.—II.
Wreck of the Mizen-mast cleared away—Ship put before
the Wind—Labours much—Different stations of the
Officers—Appearance of the Island of Falconera.—III.
Excursion to the adjacent Nations of Greece renowned in
Antiquity—Athens—Socrates—Plato—Aristides—Solon—Corinth—Its
Architecture—Sparta—Leonidas—Invasion by
Xerxes—Lycurgus—Epaminondas—Present state of
the Spartans—Arcadia—Former happiness and
fertility—Its present distress the effect of
Slavery—Ithaca—Ulysses and Penelope—Argos and
Mycæne—Agamemnon—Macronisi—Lemnos—Vulcan—Delos—Apollo
and Diana—Troy—Sestos—Leander and Hero—Delphos—Temple of
Apollo—Parnassus—The Muses.—IV. Subject resumed—Address to
the Spirits of the Storm—A Tempest, accompanied with Rain,
Hail, and Meteors—Darkness of the Night, Lightning and
Thunder—Day-break—St. George’s Cliffs open upon them—The Ship,
in great danger, passes the Island of St. George.—V. Land of
Athens appears—Helmsman struck blind by Lightning—Ship laid
broadside to the Shore—Bowsprit, Foremast, and Main Top-mast
carried away—Albert, Rodmond, Arion, and Palemon strive
to save themselves on the wreck of the Foremast—The Ship
parts asunder—Death of Albert and Rodmond—Arion reaches the
Shore—Finds Palemon expiring on the Beach—His dying Address to
Arion, who is led away by the humane Natives.
THE
SHIPWRECK.
CANTO III.
[Illustration:
Hadst thou, soft Maiden! in this hour of woe
Beheld him writhing from the deadly blow,
What force of art, what language could express
Thine agony, thine exquisite distress?
DRAWN BY RICHARD WESTALL, R.A. ENGRAVED BY F. ENGLEHEART. PUBLISHED BY
JOHN SHARPE, PICCADILLY, OCT. 1, 1819.]
CANTO III.
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