The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“But I insist. You cannot make a living that way.” And she, quietly
and unobserved, laid some money on the bench as she started toward
the cellar-steps, her head almost clear. But before she could reach
the steps Helen Pierson came to the cellar-door, and as she started
down the first step she staggered and stumbled down the rest, reaching
the room almost falling. At the same moment Loney came in from the
door leading to the upper room. Muriel started as she saw the wretched
creature whose fair heritage of womanhood was thus wrecked and besodden
in gin, and drew aside, turning her back so that the unfortunate
creature could not recognize her. For it was Helen Pierson, John
Pierson’s abandoned and forsaken wife, who stood there staggering and
reeling. The sordid and soiled rags that covered her so scantily told
plainly to what a depth the poor creature, once so neat, had descended.
No wonder Muriel, who had been the cause of this downfall, hurried to
the darkest corner, shuddering and muttering:
“It is she! My God! It is she!”
As Helen tottered forward, almost falling, Loney caught her and helped
her to sit on the bench, aided by Morris.
Then Muriel, seizing the chance while all three were by the bench,
hurriedly stepped to the door and up the steps, muttering:
“Mother and child together, and neither one knows it. This is my work,
mine, mine! And then he wonders that I drink to drown it out.”
“Holt her up, Loney,” said Morris. “I will delephone Dora to pring a
trink of vater. Der poor voman is sick.”
With a childlike innocence Morris picked up a tin-box with a string
attached to it, and by dint of shouting very loudly his request to Dora
to bring a glass of water, he made himself heard and she came with it,
while the father was anxiously muttering:
“Mine Loney, dot voman is in a bad fix. She cannot speak nor see
anydings, not now, but if she goes on like dis she will see more dings
in a minute dan effer she see in her life pefore.”
Dora brought the water, and the dazed creature drank it as Morris held
it to her lips without knowing what it was. The shoemaker had been
half-afraid to give it, for fear of some convulsion, but as Helen drank
it she revived somewhat and looked at Morris, then at Loney. She stared
at the child with an intensity that surprised Dora and Morris, while
she asked Loney, in a husky whisper:
“Who are you?”
“I am Loney.”
“Loney! And where’s your father and mother?”
“Dead, I guess. I can just remember them, and that’s all,” said the
child.
“I had a child once, a boy--he is dead, I guess, and I can just
remember him. A little boy who loved me. A baby whom I had taught to
pray--but now he is gone with all the rest.”
“Mein poor vomans. Vot has brought you to dis?”
“Gin, or the want of it. Send the children away, and I will tell you.”
“Dot’s a good girl, Dora; take de Loney und go py der oder room, der
laty vants to make a secrets.”
Public-domain text, read in full here on John Shaqi.
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