The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name — John Shaqi
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Vell, Loney, somedimes you make me t’ink you vos got more sense as
meinselluf. You say such schmart t’ings, but dot’s a goot investment,
Loney, alvays. Der good Gott, He pays it back. For efery dollar I gif
avay in charity I gets me two und a halluf back again. I haf vorked
hart und safed, und so I will help her.”
“But I am a burden on you, ain’t I?”
“Burten noding! Vot do you got? A place to sleep, mit somedimes
somedings good to eat, und somedimes nodings but preat und milluk. If
you vos not here I should haf to pay a poy t’ree dollars a veek. Make
you no mistake on dot. I am a peezness man, mit mine eye open for der
matsuma.”
While Loney was trying to ponder over this statement, Dora came dancing
into the room, holding out a tiny blue baby’s shoe, saying, joyfully:
“Oh see, papa. See! I found it. I found it in mama’s old cedar chest.
The first shoe I ever wore. We thought it was lost, but I found it. Oh,
I’m so glad!”
The shoemaker took the tiny thing in his hand and looked at it through
misty eyes, and with a laugh that was half a sob, he said:
“Vell, vot do you t’ink of dot for a shoe? It is a number nodings. You
cannot vear dot now, mein child.”
“Hardly,” laughed Dora, holding out a plump and pretty foot.
“How shall I forget der time I maket dot shoe? Dere you vos in der bed,
mit your mudder, und ven I dit showed it to her she dit laugh und cry
at der same time. Den she vent avay to sleep, mit der little shoe py
her lips, vere she kiss it. Now she sleep dot long sleep dot vill know
no vaking. I vill put dis vere it vill not get lost again, until I can
get Somolus Levinsky to put it in his safe for me.”
More moved than Dora had ever seen her father, she watched him as he
put the precious little shoe in his breast pocket and walked back and
forth, struggling with his emotion. He had loved his wife with a deep
and strong affection, and her death had never found him comforted. Dora
resembled her mother, and all the lonely man’s love centered upon her
now. And the child loved him, and was in one, daughter and companion,
loving, obedient and worthy in every way.
Just as Dora was beginning to feel half-alarmed at her father’s strange
actions, there was a light step on the cellar-steps and a gay and
pleasant voice heard, saying:
“Hello, Mr. Goldberg! Hello, Dora! Hello, Loney! How are you all?”
The shoemaker brightened up at once and turned to greet the newcomer--a
handsome and alert young Jew. Neatly dressed and self-respecting he
was, and full of joy at his reception and the news he had to impart.
Morris held out his hand heartily.
“Ah, de Bennie. I’m glad to see you, Bennie. Vot’s der matter vit’ your
face, Dora? It is red, like de roses.”
“Nothing, papa,” answered Dora, who had modestly and shyly drawn
backward to the darkest corner.
“Good news, Mr. Goldberg! Good news!” cried Bennie, dancing about
lightly, but with his eyes fixed upon the pretty Dora.
Public-domain text, read in full here on John Shaqi.
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