The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name — John Shaqi
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“I thank you, Mr. Goldberg--father--more than I can say.”
“Dank Dora, not me. She chooset you. I could see by de red on her
cheeks. But, my poy, guard her like de eyepalls, for she is all I haf.
She is like de mudder ofer again, und if anyt’ings happen mein Dora
it vill prake mein heart. Yes, I gif my little Dora to you. I vill
announce de betrothal at vonce.”
Loney peeped in the door, uncertain as to his welcome, asking if he
could come in. The shoemaker said, huskily, for this betrothal, while
it assured his daughter a happy home, a good husband, and protection,
still seemed to him to sever the dear tie that had so bound them
together--the chain was broken, to let in another link:
“Yes; come along, Loney; ve vassen’t long gone, but it vos long enough.”
Then the long-deferred “treat” was brought up for discussion, and
Bennie hurried his pretty little Dora--his now--and Loney, and they
went happily up the steps, leaving the father alone in the dim shop,
with a heavy load of--was it joy or sorrow--in his heart? He scarcely
knew himself.
CHAPTER IV.
“Vell,” sighed the shoemaker, taking up the heavily-spiked shoes, and
preparing to mend them, “now, vouldn’t dem shoes pe awful to stamp on
anoder feller’s corns? It’s going to pe awful lonesome, but I pe glat
dot Dora vill haf a goot husband, like de Bennie. I guess ve fix it mit
a pigger place. I’ll vistle or sing till dey comes pack.”
Saying those philosophical words, Morris began to whistle, but the
effort brought tears to his eyes. Then he tried to sing, but the words
became a husky rattle, and, with a rueful face, he said:
“Vell, ve haf vork und dot is petter as medicine for a sick heart.”
Scarcely had he uttered these words when the doorway was darkened by
a form, and a big man, who looked still larger in his full cowboy
costume, came clattering down the steps to the little shop. The
shoemaker looked at him in dumb wonder. The cowboy costume was one he
had never seen before, and he looked at it, from the wide, flapping
sombrero to the spurred boots, not missing the hairy “chaps,” or
leggins, and belt which, to Morris’ excited eyes, seemed stuck full of
pistols and knives, although, really, the only two pistols were carried
in the man’s hands. Plainly, the man was intoxicated and at a dangerous
stage. He fired a shot into one corner and then another in rapid
succession, while he shouted:
“Ee--you--Ee--you! I’m a wild and woolly catamount. Ee--you! I’m a bald
eagle and I’m flying high. Ee--you! Hip! Hip! I’m lookin’ for blood,
and I’m thirsty. Whoop-ee, whoop-ee!”
The frightened shoemaker, if he thought anything, imagined that this
was some new kind of Cossack sent to massacre, as in Russia, and he
fell backward over his bench, nearly fainting, yet managed to say:
“De slaughter-house, dot’s ofer in Jersey, de odder site of de river.”
The man, who would have been handsome had it not been for the marks of
dissipation on his face, came on, saying loudly:
Public-domain text, read in full here on John Shaqi.
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