The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
She was the loveliest girl in all the neighborhood, with a dainty,
graceful figure and a gay, merry soul. Words could not tell how she
loved her father; for, after a few years of peace and joy in this land,
the mother, who had never recovered from the horrors through which she
had passed, died. Her last hours were so sweetly peaceful that the loss
to those left behind was more of a chastened sorrow than a poignant
grief.
Dora was now sixteen, and matured like the maidens of her race.
The father loved Dora with a brooding tenderness almost womanlike in
its intensity, and her little hands held his very heart in their grasp.
Nothing she did seemed wrong to him, and everything she wanted, that
was in his power to give, she had.
Above all, he was proud of her education, for that had been his first
desire. Dora was kept in school when other girls of her age had worked
in factories. She kept house for him in the room above the shop, and
she was a good, sweet, obedient daughter. What more could a man ask? A
business that kept them from want, and something left over every month.
No wonder the honest shoemaker sang as he worked in his little shop as
he listened to the steps of his daughter above.
[Illustration]
CHAPTER I.
This brief preamble brings the reader to the day and hour when the
first movements in this moving human drama began.
Morris Goldberg had left his humble store in charge of Dora and a
little semi-idiotic boy, whom he had rescued from the streets. The
little fellow was thin and white, and dressed in a medley of garments
purchased for him from a second-hand store nearby. The child was trying
to sew a shoe while seated upon the vacant bench. Dora sat beside him,
trying to guide the clumsy fingers, with infinite patience.
“Now, this way, Loney; both ends at the same time. One this way and
one that way. Oh, you will succeed if you keep on. You’ll be as good a
shoemaker as father some day.”
“I’m trying, Dora. I try so hard, but my hands won’t mind me. I’m just
no good at all.”
This the child said with such an expression of utter discouragement
that Dora put her plump arm around the little figure, saying:
“Oh, yes you are, Loney. You do lots of things, and you are splendid
for errands.”
“Anybody can run errands; but I want to be something else than an
errand-boy. I want to know how to do other things--how to be something
in the world, but my head won’t let me. It gets all ‘hurty’ when I try
to think what I want to do.”
“Poor little Loney! Tell me how you got hurt, Loney? You have never
told me that. Can’t you tell me now? Maybe the doctor could cure it if
we knew how it happened. Try to remember.”
The poor, thin little hand went to his head uncertainly, while Loney
knitted his brows trying to remember. Then he said; dreamily:
Public-domain text, read in full here on John Shaqi.
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