The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
The door leading to the street was a wide one and a high one to
accommodate the cowboys from the adjacent ranches and the miners from
up the mountains beyond.
Far up the trail could be seen mountains dark and sinister, more and
more rugged as they ascended. Along, on some of the slopes in the far
distance, could be seen the roofs and tall chimneys of quartz mills. On
the whole, the outlook was dreary and monotonous.
Over the bar was a mirror and below that the usual hint about the
unwisdom of trust, and another, in form of a placard, hung to the bar,
saying:
“Please don’t shoot the barkeeper!
He’s doing the best he can.”
There was the usual crowd of roughly-dressed men lounging about and
drinking, to kill the time until the stage should arrive. This was an
event every day, for by it came letters, papers and news from the outer
world.
Four of the men stood against the bar, singing. Their voices were
good and resonant, developed by singing to their herds in the long
night-watches, and after each verse of a song they took a sip of their
drink, and followed up that by giving the cowboy yell of “Ee--you! Zip!
Zip!” etc., until the very bottles trembled.
One of the men, whom the others called Shoshone Pete, said, airily:
“Set ’em up again, Snakes. I’ve been out on the range and this is the
first chance I’ve had in six weeks to oil up my machinery.”
“Zip! Zip! Hurry up, you spavined old cayuse! Kick up your heels and
come to life,” suggested Dead Shot Mike, threateningly, while he
hastily swallowed what was left in the bottom of his glass and wiped
his lips on his sleeve, ready for another drink.
“Ee--you! Zip! Zip! I’m my mother’s baby and I want my milk, I do,”
whimpered Shoshone Pete, while Snakes, the bartender, was struggling
with a refractory cork. He sneered:
“Ah! gimme a minute till I get this cork out. You’re like a pack o’
howlin’ coyotes hungry for meat.”
The cork popped out of the bottle just then and Snakes handed it to the
waiting men, who set up another song with its shrill chorus of “zips
and ee--yous.” By the time the song was ended another glass was called
for, and Shoshone Pete began his noisy harangue of:
“Ee--you! Zip! Zip! I’m the warbler of the range. I’m the wild
mocking-bird of the chaparral. I’m the silver-voiced son of a gun from
Cheyenne, Wy-o. I’m the game cock of Deadwood, and it’s my time to
crow!” then imitating a rooster. All the others laughed, and Snakes
said, benignly:
“This is one on me, boys. Come up to the trough.” Again handing out the
bottle.
“Watch him, boys, watch him! Whenever he treats, it’s ‘coffin
varnish,’” said Shoshone Pete, while the others attended strictly to
business.
“Is that so?” said Snakes, angrily. “Let me tell you, this stuff is
four years old and came from Denver.”
“Well,” said Mike, “it is the strongest four-year-old I ever saw.
Here’s how.”
Public-domain text, read in full here on John Shaqi.
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