The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Like von of de angels dot de goot Gott lofes de pest. She is small,
und dark und peautiful, mit big black eyes und such a muchness of dark
hair--yah, she is peautiful, ain’t she, Bennie? Und she sing--yust like
de pirts on de trees, don’t it, Bennie?”
“By the living Lord, I’m right!” said Shoshone earnestly, “for
yesterday she asked us, ‘Has any of you seen Bennie? He is gone away so
long.’ That’s what she said.”
“Vot do you mean, Mister?” asked Morris pitifully, clasping his hands.
“There were some strangers came here yesterday--two men, two women. The
big one was said to be mother of the little young one, but they didn’t
look alike and, by the jumping jeeswax! they’re in the house right now.
The small one looks like what you say, and they say she’s crazy. She
sings something about ‘Tell me that you love me,’ or something like
that.”
“It’s Dora! It is Dora!” said Bennie, the tears gushing from his eyes.
“It is her song that she always sings.”
“Are you sure, Mister? For if I get disappointed now, it vill kill me,”
said the father, imploringly.
“Yes, I tell you, they are here now. Right upstairs there. They ’roused
my suspicions from the first. The women keep in the room all the time.
I know I’m right.”
“In dere, are dey? Vell, ve vill haf dem out!” said Morris, with grim
determination, starting for the staircase.
“Be careful, pardner, of that kind of cattle. They’ll shoot you on
sight!”
“Den let dem shoot! I can die to safe mein chilt!”
The father started toward the stairs, but Shoshone took him grimly but
gently, saying:
“Wait a minute, pardner. When you want to trap a fox, you must stop
up all the holes. Angel, guard this door; you, young man, take this
pistol. Go out through the back and watch there. I’ll go behind the
house. There is a window there that opens out upon the rocks. You, her
father, go on upstairs and open the front door. If you can’t open it,
break it in! Meantime I’ll have them covered from the window. Now go,
and be careful!”
At the word of command, Bennie and the Angel took their positions,
while Morris went up the stairs, his heart beating to suffocation.
When he reached the landing he saw that the door to the back room was
open, but that of the front was closed. A hasty glance showed that the
back room was empty. He knocked at the door, crying:
“Dora! Dora! it is de fader! Dora! Dora! I am coming!”
There was no reply, and those downstairs heard a mighty crash, as
though the door had been burst open by one blow! Then an anguished cry:
“Dora! she is gone! De room is empty! Mein Gott! dey haf gone!”
When the others reached the room, the bereft father was kneeling,
sobbing by the little table where lay a bit of blue ribbon.
“Dora! Dora!” he sobbed.
CHAPTER X.
Public-domain text, read in full here on John Shaqi.
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