Yet, to tell the truth, I fear my Uncle Andrew was not constituted for repentance or remorse. He had slain a man honestly once, and had suffered the Plantations, but beyond that (and even that included, as he must ever insist) he had been guilty of no mean act in all his roving career. Follies--vices--extremes--ay, a thousand of them; but for most his conscience never pricked him. On the contrary, he would narrate with gusto the manifold jeopardies his own follies brought him into; his wan face, nigh the colour of a shroud, would flush, and his eyes dance humorously as he shocked the table when we sat at meals, our spoons suspended in the agitation created by his wonderful histories. Kept to a moderation with the bottle, and with the constant influence of my mother, who used to feed the rogue on vegetables and, unknown to him, load his broth with simples as a cure for his craving, Uncle Andrew was, all things considered, an acquisition to Hazel Den House. Speaking for myself, he brought the element of the unusual and the unexpected to a place where routine had made me sick of my own society; and though the man in his sober senses knew he was dying on his feet, he was the cheeriest person of our company sequestered so remote in the moors. It was a lesson in resignation to see yon merry eyes loweing like lamps over his tombstone cheeks, and hear him crack a joke in the flushed and heaving interludes of his cough. It was to me he ever directed the most sensational of his extraordinary memorials. My father did not like it; I saw it in his eye. It was apparent to me that a remonstrance often hung on the tip of his tongue. He would invent ridiculous and unnecessary tasks to keep me out of reach of that alluring _raconteur_, and nobody saw it plainer than Uncle Andrew, who but laughed with the mischievousness of a boy. Well, the long and short of it was just what Quentin Greig feared--the Spoiled Horn finally smit with a hunger for the road of the Greigs. For three hundred years--we could go no further back, because of a bend sinister--nine out of ten of that family had travelled that road, that leads so often to a kistful of sailor's shells and a death with boots on. It was a fate in the blood, like the black hair of us, the mole on the temple, and the trick of irony. It was that ailment my father had feared for me; it was that kept the household silent upon missing brothers (they were dead, my uncle told me, in Trincomalee, and in Jamaica, and a yard in the Borough of London); it was that inspired the notion of a lawyer's life for Paul Greig.