Comedy plays; France -- Social life and customs -- 17th century -- Drama; French drama; Middle class -- France -- Drama
MR. JOUR. Is there anything as curious in them as in these?
PROF. PHIL. Certainly. For instance, the consonant _d_ is
pronounced by striking the tip of the tongue above the upper teeth;
_da_.
MR. JOUR. _Da, da_. [Footnote: Untranslatable. _Dada_ equals
"cock-horse" in nursery language] Yes. Ah! what beautiful things, what
beautiful things!
PROF. PHIL. The _f_, by pressing the upper teeth upon the lower
lip; _fa_.
MR. JOUR. _Fa, fa_. 'Tis the truth. Ah! my father and my mother,
how angry I feel with you!
PROF. PHIL. And the _r_, by carrying the tip of the tongue up to
the roof of the palate, so that, being grazed by the air which comes
out with force, it yields to it, and, returning to the same place,
causes a sort of tremour; _r, ra_.
MR. JOUR. _R-r-ra; r-r-r-r-r-ra_. That's true. Ah! what a clever
man you are, and what time I have lost. _R-r-ra_.
PROF. PHIL. I will thoroughly explain all these curiosities to you.
MR. JOUR. Pray do. And now I want to entrust you with a great secret.
I am in love with a lady of quality, and I should be glad if you would
help me to write something to her in a short letter which I mean to
drop at her feet.
PROF. PHIL. Very well.
MR. JOUR. That will be gallant; will it not?
PROF. PHIL. Undoubtedly. Is it verse you wish to write to her?
MR. JOUR. Oh no; not verse.
PROF. PHIL. You only wish for prose?
MR. JOUR. No. I wish for neither verse nor prose.
PROF. PHIL. It must be one or the other.
MR. JOUR. Why?
PROF. PHIL. Because, Sir, there is nothing by which we can express
ourselves except prose or verse.
MR. JOUR. There is nothing but prose or verse?
PROF. PHIL. No, Sir. Whatever is not prose is verse; and whatever is
not verse is prose.
MR. JOUR. And when we speak, what is that, then?
PROF. PHIL. Prose.
MR. JOUR. What! When I say, "Nicole, bring me my slippers, and give me
my night-cap," is that prose?
PROF. PHIL. Yes, Sir.
MR. JOUR. Upon my word, I have been speaking prose these forty years
without being aware of it; and I am under the greatest obligation to
you for informing me of it. Well, then, I wish to write to her in a
letter, _Fair Marchioness, your beautiful eyes make me die of
love_; but I would have this worded in a genteel manner, and turned
prettily.
PROF. PHIL. Say that the fire of her eyes has reduced your heart to
ashes; that you suffer day and night for her tortures....
MR. JOUR. No, no, no; I don't want any of that. I simply wish for what
I tell you. _Fair Marchioness, your beautiful eyes make me die of
love_.
PROF. PHIL. Still, you might amplify the thing a little?
MR. JOUR. No, I tell you, I will have nothing but those very words in
the letter; but they must be put in a fashionable way, and arranged as
they should be. Pray show me a little, so that I may see the different
ways in which they can be put.
Public-domain text, read in full here on John Shaqi.
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