There were days when she rode far out from the ranch house, her lunch at her saddle strings, to be gone until dusk or after the stars came out. She would leave Gypsy tethered where the grass was deep and rich, command Shep to lie down and see that nobody ran away with her outfit, and then tramp off alone, carrying her camera. She knew how to climb up into the tree and to screen herself behind the foliage, so that she might watch the mother bird and her ways, and find out when she should expect the joyous miracle of new life. When the eggs were hatched Wanda was ready. Days before she had chosen the exact spot on the particular limb where she would place her camera. She had clothed herself as the springtime clothed the forests. A soft blouse of green, short skirt and stockings of green, little cap of green and green moccasins. She crouched upon the broad limb of a cedar or clung more hazardously to the branch of a pine, the tone colour of her costume making no discord with the dusky sheen of the waving branches, and watched and waited. So, when "hunting" was good she had a picture of the mother bird perched upon the edge of the nest in which the eggs lay, a picture of the nest with the little, new birds obeying the first command of nature, a picture of the parents feeding them the first worm or berry or rebellious bug, a picture of the trial flight when soft young bodies essayed independence on unskilful wings. At first the girl had been merely an amateur in the early, sweet sense of the word. Then one day she saw a couple of pages in an illustrated magazine devoted to such photographs as these she was playing with. They were better than hers, since the man who had taken them was a trained artist as well as a lover of the wild; and they had been at once a disappointment and an inspiration to her. Then, upon another day, her father who made little comment upon her pastime, handed her a box from the express office in which she found a camera with a lens that would do its part if she learned to do hers. And that was when she threw herself so enthusiastically into her "work." "I am going to have a page of pictures in that same magazine," was her way of thanking him. "And mine are going to be better!" She flushed a little at his smile, but when she had gone away and was alone with her new possession and a world of possibilities, her chin was very firm. She had her own studio in the attice above the dining room, developed plates and films there, and descended the ladder into the hallway flushed with triumph or vexed with disappointment as her efforts proved to be good or bad. The mistakes had been many at first; they were few now.