Historical fiction; Railroads -- History -- Fiction
Katherine bowed and led the way into the house. As they passed through
the library toward the piano she paused to turn the electric-light
key. With the flood of light Katherine's ease returned, and she laughed
lightly as she pointed to a gaudily decorated sheet of music on the
piano.
“Shocking, isn't it?” she said. “That's the kind of music we play down
here in the country. We need your influence to keep us from degenerating
musically. Play me something good.”
McNally glanced at her with a laugh.
“Coon songs, eh?” he replied. “Well, some of them aren't so bad.” He sat
down at the instrument and let his hands slip over the keys. Katherine
sank upon the broad couch in the corner. She was apparently her old
self, friendly and interested in Mr. McNally and his music, but there
was nevertheless a distinct change. McNally felt the difference and
tried to throw it off, but the force of the situation grew upon him.
Slowly he realized that in spite of her pretensions she was not really
in sympathy either with him or with her father. He struck into a Liszt
rhapsody with all the fervor he could muster.
McNally was a good musician. He possessed the power, lacking in many
better pianists, of using music as a medium to connect his own and his
listener's moods; but to-night he fell short, and he knew it. He stole a
glance at Katherine. She looked exactly as usual, but still there was
a difference that baffled him. He threw all his art into the music. He
labored to color it with sincerity and strength. But all the while he
knew that the ground was lost. What he did not know was that Katherine
was passing through a crisis, and that her thoughts were miles away from
him and his rhapsody. He ended with unusual brilliancy, and she smiled
with pleasure and thanked him simply, but still he felt the change.
Then Porter came in, and after a brief general conversation Katherine
withdrew.
She did not go at once to her room. Instead, she slipped out on the
little second-floor balcony and sat down to be alone and to think. She
had made an honest effort to throw her interest with her father and with
what she believed to be her duty, and now that the evening was gone she
had nothing to show for it. For a very few moments she wondered at it
all, and at the fate which seemed to draw her toward Harvey. Then, as
the thought of him again took concrete form, and as the last two days
with him came back to her mind, her whole heart went out to him, and
she was startled, frightened at the strength of his hold upon her. For
a moment she gave herself up to dreams, dreams of a better, sweeter
existence than any she had dared to imagine, then came the thought of
her father, and Katherine broke down.
Downstairs, McNally and Porter sat for a long time with only a desultory
conversation. Then McNally said,--
“Porter, I envy you a daughter like that.”
“She is a good girl,” Porter replied.
CHAPTER XIII
TRAIN NO. 14
Public-domain text, read in full here on John Shaqi.
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