The Shunned HouseLovecraft, H. P. (Howard Phillips)
Science
The Shunned House
Lovecraft, H. P. (Howard Phillips)
Haunted houses -- Fiction; Horror tales, American
The house was--and for that matter still is--of a kind to attract the
attention of the curious. Originally a farm or semi-farm building, it
followed the average New England colonial lines of the middle Eighteenth
Century--the prosperous peaked-roof sort, with two stories and
dormerless attic, and with the Georgian doorway and interior panelling
dictated by the progress of taste at that time. It faced south, with one
gable end buried to the lower windows in the eastward rising hill, and
the other exposed to the foundations toward the street. Its
construction, over a century and a half ago, had followed the grading
and straightening of the road in that especial vicinity; for Benefit
Street--at first called Back Street--was laid out as a lane winding
amongst the graveyards of the first settlers, and straightened only when
the removal of the bodies to the North Burial Ground made it decently
possible to cut through the old family plots.
At the start, the western wall had lain some twenty feet up a
precipitous lawn from the roadway; but a widening of the street at about
the time of the Revolution sheared off most of the intervening space,
exposing the foundations so that a brick basement wall had to be made,
giving the deep cellar a street frontage with door and one window above
ground, close to the new line of public travel. When the sidewalk was
laid out a century ago the last of the intervening space was removed;
and Poe in his walks must have seen only a sheer ascent of dull gray
brick flush with the sidewalk and surmounted at a height of ten feet by
the antique shingled bulk of the house proper.
[Illustration: "That awful door in Benefit Street which I had left
ajar."]
The farm-like ground extended back very deeply up the hill, almost to
Wheaton Street. The space south of the house, abutting on Benefit
Street, was of course greatly above the existing sidewalk level, forming
a terrace bounded by a high bank wall of damp, mossy stone pierced by a
steep flight of narrow steps which led inward between canyon-like
surfaces to the upper region of mangy lawn, rheumy brick walks, and
neglected gardens whose dismantled cement urns, rusted kettles fallen
from tripods of knotty sticks, and similar paraphernalia set off the
weather-beaten front door with its broken fanlight, rotting Ionic
pilasters, and wormy triangular pediment.
* * * * *
Public-domain text, read in full here on John Shaqi.
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