The Sia: (1894 N 11 / 1889-1890 (pages 3-158))Stevenson, Matilda Coxe
History
The Sia: (1894 N 11 / 1889-1890 (pages 3-158))
Stevenson, Matilda Coxe
Zia Indians
18. Sand painting used in ceremonial for sick by Ant society 103
19. Sia doctress 133
20. Mother with her infant four days old 142
[Illustration: Bureau of Ethnology. Eleventh Annual Report PLate I
A VIEW OF SIA, SHOWING A PORTION OF VILLAGE IN RUINS.]
THE SIA.
BY MATILDA COXE STEVENSON.[1]
INTRODUCTION.
All that remains of the once populous pueblo of Sia is a small group
of houses and a mere handful of people in the midst of one of the
most extensive ruins of the Southwest (Pl. I) the living relic of an
almost extinct people and a pathetic tale of the ravages of warfare and
pestilence. This picture is even more touching than the infant’s cradle
or the tiny sandal found buried in the cliff in the canyon walls. The
Sia of to-day is in much the same condition as that of the ancient cave
and cliff dweller as we restore their villages in imagination.
The cosmogony and myths of the Sia point to the present site as their
home before resorting to the mesa, which was not, however, their first
mesa home; their legends refer to numerous villages on mountain tops in
their journeying from the north to the center of the earth.
The population of this village was originally very large, but from its
situation it became a target during intertribal feuds. A time came,
however, when intertribal strife ceased, and the pueblo tribes united
their strength to oppose a common foe, an adversary who struck terror
to the heart of the Indian, inasmuch as he not only took possession of
their villages and homes, but was bent upon uprooting the ancestral
religion to plant in its stead the Roman Catholic faith. To avoid this
result the Sia fled to the mesa and built a village, but the foe was
not to be thus easily baffled and the mesa village was brought under
subjection. That these people again struggled for their freedom is
evident from the report of Vargas of his visit there in 1692:
Public-domain text, read in full here on John Shaqi.
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