The Sia: (1894 N 11 / 1889-1890 (pages 3-158))Stevenson, Matilda Coxe
History
The Sia: (1894 N 11 / 1889-1890 (pages 3-158))
Stevenson, Matilda Coxe
Zia Indians
of the rattle he passed his hand over the line and threw out the pollen
from his fingers, as offering to the Snake ho´naaite. Returning to
the altar, he stood while the ho´naaite dipped his plumes into the
medicine water and sprinkled the altar by striking the plumes with the
rattle. After the ya´niᵗsiwittänñi and ho´naaite had returned to the
line, the cloud-maker (a member of the Spider Society), who sat at the
north end, crossed the line of meal, and, holding his eagle plumes
and rattle in his left hand, lifted with his right the reed which lay
across the cloud bowl, and, transferring it to his left, he held it and
the plumes vertically while he prayed. The vice ho´naaite dipped ashes
from the fire-place with his eagle plumes, holding one in either hand,
sprinkled the cloud-maker for purification, and threw the remainder
of the ashes toward the choir. During his prayer, which continued for
eight minutes, the cloud-maker appeared like a statue. At the close of
the prayer he dropped into the cloud bowl a quantity of to´chainitiwa
(a certain root used by the cult societies to produce suds, symbolic of
the clouds), and sprinkled with corn pollen the surface of the water,
which was already quite covered with it; then, taking the reed in his
right hand and still holding it vertically, he began a regular and
rapid movement with the reed, in a short time producing a snowy-white
froth, which, under his dextrous manipulation, rapidly rose high above
the bowl, and fell from it in cascades to the floor. The bowl stood
on a cincture pad of yucca, a circle of meal symbolic of the heart or
life of the water having been first made. The reed was never raised
from the bowl during the stirring of the water. When the clouds were
perfected the song ceased, and the cloud-maker stood the reed in the
center of the suds, which now wholly concealed the bowl. He then rose,
and, after holding his two eagle plumes in his left hand for a moment,
he changed one to the right hand and began dancing before the altar;
presently he dipped a quantity of suds from the base of the bowl with
his two eagle plumes, and threw them to the north of the altar; again
dipping the suds, he threw them to the south; continuing to dance to
the music of the rattle and the song, he dipped the suds and threw them
to the fire-place; dipping them again, he threw them to the earth,
each time with an invocation to the cloud people. As he threw the
suds to the earth two of the choir dipped their plumes into the bowl
of medicine water and sprinkled the altar by striking the upper sides
of the plumes with their rattles. The cloud-maker again dipped up the
suds, and, facing east, threw them toward the zenith; he then dipped
the suds and deposited them in the center of the basket containing the
plume offerings; then waving his eagle plumes from north to south, he
continued dancing, raising first one plume and then the other as he
pointed them toward the altar. In a moment or two he dipped suds and
Public-domain text, read in full here on John Shaqi.
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