Emma Fitzosbern still clung to the Norman fashions, and wore a tight-fitting kirtle of pale green samite, embroidered all over with silver thread and pearls; a silver girdle passing diagonally round the hips, richly gemmed with emeralds, from which hung a gipsire of like material. A long underskirt of salmon silk fell to her feet and trailed upon the ground behind her. Her little pointed boots were of green samite, wrought with silver, and a splendid embroidered mantle, in which the colours of the kirtle and skirt were subtly blended, hung from her shoulders, and was held up by two little page boys. Her auburn hair flowed over the mantle, and was bound by a silver fillet, fastened in front with one large emerald. Over face and figure fell a veil of delicate Cyprian crape, flowered with silver thread. Green signified youth, and salmon or flesh colour typified earthly joy. Her beautiful costume had been designed for her by no less a person than her uncle, the Bishop of Exeter, who was pleased to emulate St. Dunstan by designing a lady's dress. Judith, her bride-woman, on whose arm she leant, wore a robe of rich red samite heavy with gold, and ostentatiously Norman in style. Her tall, stately figure was as straight as an arrow, and made a splendid foil to the shrinking form of the bride. Her clear-cut, cold features and sparkling steel-blue eyes wore a sarcastic and critical expression, but she acted her part with a grace and courtesy which the many who longed to pass adverse criticisms on _her_ could not but admit to be perfect. Emma felt a strong repugnance to her kinswoman, the more so perhaps that Judith's features and eyes reminded her of the king she was defying, and every time she met their glance, a thrill of dread and foreboding passed through her heart. The wedding procession was preceded to the church by a dozen Saxon scops or bards, who sung each to the sound of his cruit, a harp having five strings, yet affording a very sweet music, and by esquires and pages strewing flowers; and the guests were led by Earls Waltheof and Hereford, the latter with his young countess on his arm. The little church at Exning would not have contained so great a company, but the fashion in those days was for the bride and bridegroom to stand on the threshold till the ceremony was almost concluded. After the wedding ring had been bestowed with due ceremony,--being placed first on the thumb and successively upon the second and fourth finger, where it was allowed to remain, that finger being supposed by the most scientific authorities of the time to be joined to the heart by a small artery,--the couple entered the sacred portal, and advanced to the altar, before which the nuptial benediction was given by the bridegroom, under cover of a square veil, held aloft by four tall knights, and termed a 'care-cloth.'