The wind fell and the rain ceased, but the broken and ragged clouds
continued to scud across the starlit heavens. The twinkling camp-fires
burned low. Drowsy officers sought the shelter of their tents. Privates
rolled themselves in their blankets and, with their feet to the fading
embers, fell asleep. Silence rested upon the camp—broken only by the
faint murmur of voices here and there, or the restless pawing of some
tethered steed. Beyond the barricade of wagons a double line of sentries
was on guard.
One by one Ross Douglas’s companions sought slumber. At last he alone
remained sitting by the dying fire, his hand caressing the head of the
bloodhound that lay stretched beside him. He was thinking of Amy—the girl
he had left behind him.
“Dear child!” he whispered to himself. “Perhaps I should not have left
her as I did. Her lot will not be pleasant, I fear. But I couldn’t help
it—I felt that duty called me. And already I have been able to render
some slight service to my country. When I return to her, I’ll devote my
life to her care and comfort——”
He broke off suddenly and flung up his head, that had been resting upon
his hand. The silence was disturbed by the voice of a man lustily
singing:
“I left my children in ol’ Kaintuck,
In the cabin with the’r mother;
And if the Injins kills the’r pap,
They’ll never git another.”
The words were lamely strung together; and their meaning was somewhat
ambiguous. But Ross was in a sad mood; and the homely sentiment of the
improvised song touched him.
“Poor fellow!” the young scout muttered under his breath, as he arose
and sauntered in the direction whence the voice came. “His words may be
premonitory of the fate that awaits him.”
After walking a few rods, he came upon the singer seated with his toes in
the ashes of an expiring fire.
“Hello, friend!” Ross cried cheerily. “You seem to be suffering from an
attack of homesickness.”
“Y-e-s, I am a little homesick,” the fellow admitted reluctantly.
“You see, I left the little woman an’ the babies ’way down in ol’
Kaintuck. An’ sometimes I git to feelin’ that somehow I’ll never see ’em
ag’in.”—And a sob was in his big, coarse voice.—“I thought ev’rybody was
asleep an’ I’d jest sing a bit. Some people cries when they’re sad—_I_
sing. It always makes me feel better, too. Hope I didn’t wake you up with
my bellerin’.”
“Oh, no!” Douglas hastened to say. “I was awake. But probably both of us
had better try to sleep; it is late.”
“I s’pect we had,”—admitted the Kentuckian—and lapsed into silence.
Ross retraced his steps to his own fire and lay down. But restlessness
had possession of him. Again the voice of the singer fell upon his ears.
This time Bright Wing opened wide his black eyes and sat erect; and
Farley rolled over, grumbling sleepily:
“Dodrot the critter! Can’t he quit his caterwaulin’ day n’r night? He ort
to be off on a desert island by hisself.”
Public-domain text, read in full here on John Shaqi.
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