The flashing carriage, drawn by a pair of splendid Lithuanian bays, is
the Rockhammer state coach, which Martin had had built for his wedding.
Sitting within it--that white figure reclining with such proud dignity
in one corner, and looking about with such distant seriousness--that is
she, "the rich mistress of Rockhammer," as the people all round are
whispering to each other.
"Look--Trude is giving herself airs," says Martin softly, pulling
Johannes' sleeve.
At the same moment she discovers the brothers, and, throwing her
affected bearing to the winds, she jumps up in the carriage, waves her
sunshade in one hand, her kerchief in the other, and laughs and gives
vent to her delight and prods the coachman with the point of her
parasol to make him drive faster. Then, when the carriage stops, she
gives herself no time to wait till the door is opened, but jumps onto
the splash-board and from there straight into Martin's arms. She is in
a state of feverish excitement; her breath comes hot; her lips move to
speak, but her voice fails her.
"Quietly, child, quietly," says Martin, and strokes her hair, which
to-day falls upon her bare neck in a mass of little ringlets. Johannes
stands motionless, lost in contemplation of her.
How lovely she is!
The white, gauzy dress floats round her exquisite figure like an airy
veil! And that white neck!--and those little dimples at her bosom!--and
those glorious plump arms on which there trembles a light, silvery
fluff!--and this plastic bust, which rises and falls like a marble
wave!... She appears unapproachably beautiful, every inch a woman yet
every inch majesty, for in his innocent mind the ideas "woman" and
"majesty" are synonymous, and mean for him an indefinable something
which fills him with bliss and with fear. His eyes are suddenly opened
and are dazzled as yet with gazing at this regal type of female
loveliness, beside which he has hitherto walked as one blind. How
lovely she is! How lovely is woman! And now a torrent of confused
words streams from her unfettered lips. She had nearly died of
impatience.--And that stupid big clock,--and her lonely dinner,--and
those silly dancing shoes which would not fit! They are too tight; they
pinch frightfully--"but they look lovely, don't they?"
And she lifts up the hem of her skirt a little to show the works of
art, light blue, high-heeled little shoes, tied across the instep with
blue silk bows.
"They seem too short!" Martin remarks, with a doubtful shake of his
head.
Public-domain text, read in full here on John Shaqi.
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