He saunters toward the boundary of the wood and stares into its
obscurity, already beginning to be animated by pale lunar reflections;
then he proceeds for some distance beneath the trees, deeply inhaling
the soft, aromatic fragrance of the pines. He is determined that by
main force he will master this mysterious intoxication which seems to
fever his whole being; but the further he betakes himself away from the
festival ground the more does his unrest increase. Just as he is about
to enter the dancing-room he sees Franz Maas hurrying towards him in
breathless excitement. A vague presentiment of disaster dawns within
him.
"What has happened?" he calls out to him.
"It's a good thing I've found you. Your sister-in-law has been taken
ill."
"For heaven's sake! Where have you taken her?"
"Martin led her to your tent."
"How did it happen? How did it happen?"
"Some time before, I noticed that she had become pale and quiet, and
when I asked her what was the matter, she said her foot hurt her. But
in spite of that she would not sit still, and, while I was dancing with
her, she suddenly broke down in the middle of the room."
"And then? What then?"
"I raised her up and drew her as quickly as possible to her chair,
while I sent some one off to fetch Martin."
"Why didn't you send for me, man?"
"Firstly I didn't know where you were, and then, of course, it was the
proper thing to send word first to her husband."
Johannes breaks into a shrill laugh. "Very proper, but what then?"
"She opened her eyes even before Martin arrived. The first thing she
did was to send away the women who were crowding round her! then she
whispered to me, 'Don't tell him that I fainted;' and then when he came
hurrying in, looking quite pale, she went to meet him apparently quite
cheerfully and said, 'My shoe hurts me; it is nothing else.'"
"And then?"
"Then he took her outside. But I just happened to see how she burst out
sobbing and hid her face on his shoulder. Then I thought to myself,
'God knows what else may be hurting her.'" Johannes hears no further.
Without a word of thanks to his friend he rushes off.
The canvas which covers the entrance to the Rockhammer tent is let down
low. Johannes listens for a moment. Soft weeping mingled with Martin's
soothing voice is audible from the interior, he tries to tear the
curtain open, but it does not give way; it is evidently fastened down
with a peg, "Who is there?" calls Martin's voice from the other side.
"I--Johannes!"
"Stay outside."
Johannes winces. This "stay outside" has given him a very stab at his
heart. When there is a chance of being at her side to help her in her
trouble,--of giving her peace and comfort, he is to "stay outside." He
grates his teeth and stares with hungry eyes at the curtain, through
the apertures of which a faint red gleam pierces.
"Johannes!" Martin's voice is heard anew.
"What do you want?"
"Go and see if our carriage is here."
Public-domain text, read in full here on John Shaqi.
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