The Silver Domino; Or, Side Whispers, Social and LiteraryCorelli, Marie
General
The Silver Domino; Or, Side Whispers, Social and Literary
Corelli, Marie
English essays -- 19th century; Literature -- Criticism and interpretation; Satire
And thus by preamble and general tedium I have come leisurely round to
the point I wished to arrive at, which is the narration of a singular
dream I once had; a vision which fell upon me, not in the "silence of
the night," but in the glaring heat of a midsummer afternoon while
I was seated on a penny chair in the middle of the Row. I had just
exchanged the usual greetings with my kindly young idiot friend the
duke (sucking the ivory skull on his cane as usual) and he had gone
on his way blandly grinning. I had shaken hands with a couple of
vagrant journalists. I had saluted a few charming women, chatted for
ten minutes with Lord Salisbury, and had imparted to a dear paunchy
diplomat the secret of stewing prawns in wine--a dish which I assure
you, on the faith of a true _gourmet_, is excellent. I had studied
the back of a massively fat woman's dress for several seconds, trying
to puzzle out the ways and means by which it got fastened over so
much rebellious flesh. Fatigued with these exertions, and lulled by
the monotonous noise of the rolling wheels of the carriages going to
and fro, I fell into a sort of semi-conscious doze, in which I was
perfectly aware of my surroundings, though more than half asleep. And
"a change came o'er the spirit" of the scene--a change which might
have alarmed unphilosophic people, but which to one like myself,
who am surprised at nothing, merely transformed a dull and ordinary
spectacle into a deeply interesting one. A curious white light pervaded
the atmosphere and tinged the overhanging foliage with a sickly shade
of green, the yellow sunshine took upon itself a jaundiced hue, and
lo! all suddenly and straightway the "row" was stripped of its "too,
too solid flesh" and appeared as too, too truthful Bones. Bones were
the fashion of the hour--skulls the order of the day. Clothes were
worn, of course, for decency's sake, clothes, too, of the very newest
fashion and cut; but flesh was discarded as superfluous. And so the
most elegant Paris "creations" in the way of lace parasols shaded
the sun from the delicate female death's-heads; skeleton steeds in
gorgeous trappings worked their ribs bravely, guided along by skeleton
coachmen superb in plush and wigs well powdered; and dear antiquated
Lady Doldrums, as she turned her eye-sockets to right and left with a
pleasant leer, seemed to be more cheerful than she had been for many a
long day. She still wore her favourite style of youthful hat, pinched
artistically about the brim and turned up with artificial roses,
but these handsomely-made French flowers now nodded quite waggishly
against her bare jaws, knowing there was no longer any painted flesh
there to eclipse their colour. Yes, Lady Doldrums was herself at
last--the terrible strain of pretending to be young was over, and the
only _coquetterie_ she practised in her honest condition of Bones,
was the wielding of a fan in her grisly sticks of fingers, not for
heat's sake--no, merely to keep away the flies.
Public-domain text, read in full here on John Shaqi.
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