"Do you care for music?" Her remark was aimed at Emerson, but the other
answered:
"I'm a nut on it."
She ignored the speaker, and cast another question over her shoulder:
"What kind do you prefer?" Again the adventurer outran his companion to
the reply:
"My favorite hymn is the _Maple Leaf Rag_. Let her go, professor."
Cherry settled herself obligingly and played ragtime, although she
fancied that Emerson stirred uneasily as if the musical interruption
disturbed him; but when she swung about on her seat at the conclusion,
he was still lax and indifferent.
"That certainly has some class to it," "Fingerless" Fraser said,
admiringly. "Just go through the reperchure from soda to hock, will
you? I'm certainly fond of that coon clatter." And realizing that his
pleasure was genuine, she played on and on for him, to the muffled
thump of his feet, now and then feeding her curiosity with a stolen
glance at the other. She was in the midst of some syncopated measure
when Boyd spoke abruptly: "Please play something."
She understood what he meant and began really to play, realizing very
soon that at least one of her guests knew and loved music. Under her
deft fingers the instrument became a medium for musical speech. Gay
roundelays, swift, passionate Hungarian dances, bold Wagnerian strains
followed in quick succession, and the more utter her abandon the more
certainly she felt the younger man respond.
Strange to say, the warped soul of "Fingerless" Fraser likewise felt
the spell of real music, and he stilled his loose-hinged tongue.
By-and-by she began to sing, more for her own amusement than for
theirs, and after awhile her fingers strayed upon the sweet chords of
Bartlett's _A Dream_, a half-forgotten thing, the tenderness of which
had lived with her from girlhood. She heard Emerson rise, then knew he
was standing at her shoulder. Could he sing, she wondered, as he began
to take up the words of the song? Then her dream-filled eyes widened as
she listened to his voice breathing life into the beautiful words. He
sang with the ease and flexibility of an artist, his powerful baritone
blending perfectly with her contralto.
For the first time she felt the man's personality, his magnetism, as if
he had dropped his cloak and stood at her side in his true semblance.
As they finished the song she wheeled abruptly, her face flushed, her
ripe lips smiling, her eyes moist, and looked up to find him
marvelously transformed. His even teeth gleamed forth from a brown face
that had become the mirror of a soul as spirited as her own, for the
blending of their voices had brought them into a similar harmony of
understanding.
"Oh, _thank_ you," she breathed.
Public-domain text, read in full here on John Shaqi.
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