Authors -- Fiction; Canadian fiction; Impostors and imposture -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
The author of The Silver Poppy seemed to lose no word of all he said.
Hartley himself, lost for the time being in the outpouring of his own
hopes and aims and aspirations, only half appreciated the quiet
intensity with which the young woman followed his every sentence. It
tempted him to go even farther, and confide in her the secrets of his
one great effort, his Nausicaa. Into the five hundred lines of this
blank-verse poem he was sure he had poured all that was best in him, and
he told her how one magazine editor had accepted it, on condition that
he take out two hundred lines--an offer which he had indignantly
refused. Later, though, he felt it had been a mistake; America was so
different to what it was at home.
The woman looked at him for several seconds in silence, as though some
new and better side of him had slowly dawned on her consciousness. In
that look the free heart of the young scholar felt there was something
to half fear and yet something in which to glory. She dropped her eyes
and was still for a moment.
"I hope we two shall be friends," she said in her dreamy, half-wistful
intonation.
"Why can't we?" he asked, with his grave but boyish smile. She looked at
him with eyes that for the time being did not seem to see him.
"We all have to go through the sort of thing you've been speaking of,"
she said with a sigh, standing before him at the open window, with the
sunlight on her hair. "But one person, you know, can so often help
another--at least over the rougher places. I feel that already I've a
great deal to do to repay you for what you'll make out of this
interview. I know you'll say the right thing and it'll help me a lot. I
guess, though, I _could_ help you a good deal;" she looked at him. "If
you'd only let me," she added. She was speaking very humbly and very
earnestly, and her voice moved him almost uncomfortably. There was
something so direct, so honest, so open in her kindliness that he
hesitated before it, disconcerted, despising himself at the time for his
very hesitancy.
"I know that I can get rid of some of your things for you," she
continued, as though such tasks were a commonplace. "And I want you to
meet editors, too, and people of influence. It all counts so much,
unfortunately," she added, smiling wearily. Then she seemed to meditate
for a second or two. "Couldn't you bring me up a few manuscripts to look
over--so that I could know what they were like, you know? I mean what
vein they were in?"
Public-domain text, read in full here on John Shaqi.
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