Authors -- Fiction; Canadian fiction; Impostors and imposture -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
Hartley had taken up his abode in the very heart of the lower East Side.
On that part of Division Street where the Second Avenue elevated railway
curls bustlingly into Chatham Square, very much as a busy little brook
curls round a bit of rock, stands one of those crowded hives of toiling
men and women known as a sweat-shop. In a little back room at the top of
this building Hartley subletted his New York home. The jail-like doorway
of this building opened on a street of eternal twilight--a street barred
above like a dungeon by the iron girders of the overhead railway,
through which only the noonday sun could fret for an hour or two. It
was a tunnel of a thousand odors, and over it whimpered and frolicked
the elevated trains as they went scurrying up to the open sunlight of
the higher city.
Long before the sun crept up over the East River this tenement hummed
like a beehive with its hundreds of busy sewing-machines, and in and out
of its gloomy doorway women came and went at all times of the day with
great bundles poised on their heads. It seemed from without only a
gloomy building of windows and red bricks, with crazily littered
fire-escapes breaking the line of its dull walls. At its center,
strangely enough, it formed a little triangular court, after the fashion
of its sisters of the Old World, and round this little inner court rose
dilapidated wooden galleries, tier after tier, until only a pitiable
three-cornered scrap of blue sky could be seen at the top on clear days.
At the bottom of this light-well, even gloomier and more odorous than
the street without, there was always a tang of chloride of lime in the
air. The broken flagstones forming its floor sloped to the center, where
a hydrant-pump stood in a pool of tainted water. From each gallery of
the court radiated a number of passages--many-sinked, low-ceilinged
passages, tunneling through mysterious twilight for hundreds of feet,
and opening through many narrow doors into hundreds of fetid and
overcrowded rooms.
Public-domain text, read in full here on John Shaqi.
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