The Silversmith in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft — John Shaqi
The Silversmith in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His CraftFord, Thomas K.
History
The Silversmith in Eighteenth-Century Williamsburg: An Account of His Life & Times, & of His Craft
Ford, Thomas K.
Silverwork, Colonial -- Virginia
Washington, whose preference for British goods was as strong as
anyone’s, nevertheless sponsored the nonimportation agreement adopted at
the Raleigh Tavern in May 1769. James Geddy, Jr., in a newspaper
advertisement of that September, declared that he had
now on hand a neat assortment of country made GOLD and SILVER WORK,
which he will sell at the lowest rates for cash, or exchange for old
gold or silver. As he has not imported any jewellery this season, he
flatters himself he will meet with encouragement, especially from
those Ladies and Gentlemen who are friends to the association.
Geddy, however, did not subscribe himself as a member of the Association
until July of 1770, and only three months later he ventured to
advertise, along with country-made wares, “a small, but neat assortment,
of imported JEWELLERY (ordered before the association took place).”
The boycotting of British goods, however, was a political technique
adopted for a particular purpose—to put pressure on Parliament to repeal
the Townshend duties or other offensive legislation. When that purpose
was accomplished, or seemed certain to be, the old preferences for
imported goods reasserted themselves. Thus we find Washington in August
1770 ordering from London a quantity of expensive clothing and some
jewelry “if the Act of Parliament Imposing a Duty upon Tea, Paper, &ca,
for the purpose of raising a Revenue in America shoud [sic] be Totally
repeald before the above goods are shipped.” And by the next spring
Geddy was again advertising goods just imported from London.
Throughout the colonial period it was generally more convenient for
Virginia planters to acquire high quality goods in London than in
Virginia. This was a consequence of the narrowly channeled two-way trade
between the great plantations of the Chesapeake Bay and the great
commission-merchant warehouses along the Thames. The planters grew and
exported enormous quantities of tobacco, almost all of it sent to London
and sold there. Against the proceeds they ordered whatever they needed
and wanted of manufactured necessities and luxuries: textiles, clothing,
furniture, hardware, ceramics, glass, and silver.
To the planter aristocrats, silver plate (not to be confused with plated
silverware) performed three functions at once. It was a form of stable
investment, easily watched over, easily identified in case of theft, and
easily converted into cash if needed. In the absence of safe-deposit
boxes or bank vaults, silver in daily use was as safe a form of
“savings” as the times offered. Secondly, plate was a form of social
ostentation in which all members of the group indulged to a greater or
lesser degree. Finally, plate was useful in the proper serving of the
owners and their guests; a well-to-do planter would have thought it
impossible to get along without quantities of food and drink on his
table, and almost as unthinkable not to have some silver articles on the
table, too.
Public-domain text, read in full here on John Shaqi.
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