"Yes, you. She mentioned you by name, and asked particularly whether you'd be likely to be shocked, when you found out who she was. Now, if she had simply been slipping trifling articles off shop counters into her muff, she wouldn't have expected you to be shocked. That's what makes me say her crime was a serious one." "Still," said the Major, "even supposing she really was afraid of shocking me; though I can't see how she came to consider me at all--" "She did. You may take that for certain." "There are other things besides murder that I should strongly disapprove of." "You're thinking of divorce court proceedings now. But she's not that sort of woman at all. I had every opportunity of studying her character in the train, and I'm certain that she wouldn't mix herself up with anything of a disreputable kind. Whatever poor Lorimer may have had to complain of--and I don't in the least deny that he had a grievance--he'd have been the last man to accuse her of anything of _that_ sort. I never met a woman who impressed me more strongly as being thoroughly respectable." "Come now, J. J. Murder! Surely murder--" "Not when treated as an art. De Quincey wrote an essay on the subject. If you'd read it, you'd know better than to mix up artistic murder with the commonplace assassinations of the ordinary burglar. You might just as well say that Beethoven is the same sort of person as the Italian organ-grinder who plays abominable tunes under your window, in the hope of your giving him twopence to go away." "Nothing you've said so far," said the Major, "convinces me in the least that your identification of the lady is certain, or even likely to be right." "I knew you'd be sceptical. You always are sceptical about anything the least out of the common; so while I was shaving this morning I arranged the evidence in such a way that you can't possibly escape from it. In the first place, there are the portraits. I don't dwell on them because you haven't seen Miss King, and so they won't--for the present--carry much weight with you. In the second place, there is her confession. You choose to consider that I was mistaken about that, and that Miss King was really confessing something of quite a different kind. I say nothing about the improbability of my being mistaken in a perfectly simple matter. I simply leave the confession on one side, and offer you corroborative evidence of a quite unmistakable description. Here's a copy of a Dublin paper. I put it in my pocket on purpose to show it to you. I suppose you'll believe what you see printed in a newspaper?" "It depends very much what it is. I don't believe everything I see in papers."