The Sin of Monsieur Antoine, Volume 1 (of 2)Sand, George
General
The Sin of Monsieur Antoine, Volume 1 (of 2)
Sand, George
French fiction -- 19th century
It was literally nothing but a heap of ruins, the still magnificent
ruins of a seignorial abode built at different periods. The courtyard,
overgrown with weeds, through which the infrequent going and coming of a
family reduced to the strict necessaries of life had worn only two or
three narrow paths, from the large tower to the small one, and from the
well to the main entrance, was surrounded opposite his window by
crumbling walls which could be recognized as the foundations and lower
courses of several buildings, among others a dainty chapel, of which the
pediment, with a pretty rose-window surrounded by festoons of ivy, was
still standing. At the end of the courtyard, in the centre of which was
a large well, rose the dismantled skeleton of what had once been the
principal abiding-place of the lords of Châteaubrun from the time of
François I. to the Revolution. This once sumptuous edifice was now
naught but a shapeless skeleton, open on all sides, a strange mass of
ruins to which the crumbling away of the interior partitions imparted an
appearance of enormous height. Neither the towers in which the graceful
spiral staircases were enclosed, nor the great frescoed rooms, nor the
beautiful mantels of carved stone had been respected by the hammer of
the demolisher, and some few vestiges of this splendor, which they had
been unable to reach, some fragments of richly decorated friezes, some
garlands of leaves carved by the skilful craftsmen of the Renaissance,
and an escutcheon bearing the arms of France crossed by the baton of
bastardy--all of fine white stone, which time had not yet been able to
darken--presented the melancholy spectacle of a work of art
remorselessly sacrificed to the brutal law of necessity.
When young Cardonnet turned his eyes toward the small pavilion occupied
by the last scion of a once wealthy and illustrious family, he felt a
thrill of compassion as he reflected that there was in that pavilion a
young woman whose ancestresses had had pages, vassals, fine horses and
packs of hounds, whereas this inheritress of a ghastly ruin was destined
perhaps, like the Princess Nausicaa, to wash her own linen at the
fountain.
As he made this reflection he saw a little round window on the upper
floor of the square pavilion open gently, and a woman's head, supported
by the loveliest neck imaginable, lean forward as if to speak to some
one in the courtyard. Emile Cardonnet, although he belonged to a
generation of myopes, had excellent sight, and the distance was not so
great that he could not distinguish the features belonging to that
graceful blond head, whose hair the wind tossed about in some confusion.
It seemed to him what in fact it was, an angel's head, arrayed in all
the bloom of youth, sweet and noble at the same time. The tone of the
voice was fascinating and the pronunciation was remarkably elegant.
Public-domain text, read in full here on John Shaqi.
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