He had written quite a good deal of secular poetry up to this time; now he turned to writing hymns, which he had ceased to do since he was a boy of fourteen. His poetry was highly appreciated at the time, but it is now forgotten, although his hymns keep his memory green. He had served a full literary apprenticeship and had formulated his theories of the hymn—its character, its content, its limitations—before he began writing, so that his hymns have an average excellence and effectiveness that can be paralleled only by those of Bishop Heber. His critical attitude is very evident in his introduction to his second book, _Christian Psalmist_: “The faults in ordinary hymns are vulgar phrases, low words, hard words, technical terms, inverted construction, broken syntax, barbarous abbreviations that make our beautiful English horrid even to the eye, bad rhymes, or no rhymes where rhymes are expected, but above all numbers without cadence.” It is not surprising that, with this keenly critical approach, he made many alterations in Cotterill’s _Selection of Psalms and Hymns_, which he was asked to edit, nor that he almost rewrote the Moravian hymnbook on which he labored for twelve years. The list of Montgomery’s widely accepted hymns is very large: _The New Methodist Hymnal_ has 8, the _New Presbyterian Hymnal_ 9, _Hymns Ancient and Modern_ (1904 Ed.) 13. The most widely used of Montgomery’s hymns are: “Angels from the realms of glory,” “Forever with the Lord,” “Hail to the Lord’s Anointed,” “Hark the song of jubilee,” “In the hour of trial,” “Prayer is the soul’s sincere desire,” “Oh, where shall rest be found,” “The Lord is my Shepherd, No want shall I know.” VI. MINOR HYMN WRITERS There are some minor writers in this and the succeeding generation that deserve passing mention. The man of a single hymn sometimes strikes twelve. Among these is John Marriott (1780-1825), a Church of England vicar whose “Thou, whose almighty word” is in the first rank because of its dignity and sustained feeling. It is one of our best missionary hymns. James Edmeston (1791-1867), a London architect, served his day and generation with hundreds of hymns for adults and children; only one of them has become a permanent addition to English hymnody, the evening hymn, “Saviour, breathe an evening blessing.” Another layman, Sir Robert Grant (1785-1838), was conspicuous in his day as a statesman, and finally as Governor of Bombay; he was a man of deep piety and elevation of mind. He wrote a number of thoughtful and impressive hymns, but he made his most permanent contribution to the Christian Church’s sacrifice of praise in his noble “Oh, worship the King, all-glorious above,” which is in the first rank for its noble poetry as well as its profound devotion.