The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
Another disciple of Cardinal Newman who also followed him into the
Roman Catholic Church was Frederick W. Faber (1814-1863), a poet by
the grace of God, a devout Christian, a man of intense convictions,
but somewhat temperamental and impulsive. Among his many good hymns
are: “My God, how wonderful thou art,” “There’s a wideness in God’s
mercy” (sometimes beginning “Was there ever kindest Shepherd”), “O
Paradise! O Paradise,” “Hark, hark, my soul! angelic songs are
swelling,” “Faith of our fathers! living still.” Few that sing the
last-mentioned hymn realize that it refers to the faith of the Roman
Catholic saints and that the hymn had to be cleansed of its Mariolatry
before being used in our Protestant hymnals. Nevertheless, in its
present form it is a very impressive and valuable hymn that has been
redeemed from the propagandist vagary of its original writer.
Still under the influence of the Oxford High, or Anglo-Catholic
Church, we find Mrs. Cecil Frances Alexander, (1823-1895), the writer
of many hymns, especially for children, among which are a number that
promise permanent usefulness: “There is a green hill far away,” “Jesus
calls us, o’er the tumult,” “The roseate hues of early dawn.”
Bishop W. W. How (1823-1897) wrote a number of excellent hymns for his
hymnal, _Psalms and Hymns_, some of which have since found their way
into other hymnals. Perhaps those that have appealed most are “O
Jesus, Thou art standing,” “We give Thee but Thine own,” “O Word of
God incarnate,” “Soldiers of the cross, arise,” “Summer suns are
glowing.” His hymns are thoughtful, devout, and full of tender
feeling; their literary quality is admirable.
A very copious writer of the same generation was Frances Ridley
Havergal (1836-1879), whose devotional poetry touched the heart of her
generation to a remarkable degree. Her pen was quite facile, and not
all she wrote had more than transient value: but some of her hymns the
Christian Church will permanently treasure: “Take my life, and let it
be,” “I could not do without Thee,” “True-hearted, whole-hearted,”
“Lord, speak to me, that I may speak,” “I gave my life for thee.” Miss
Havergal was a woman of profound Christian experience, which is voiced
by her hymns.
Among the later writers is Sabine Baring-Gould (1834-1927), voluminous
writer on a variety of topics as well as a fairly popular novelist. He
wrote the stirring “Onward, Christian soldiers” for a local
processional of school children and assured himself of an immortality
by a half hour’s writing that all his laborious literary work would
not have won him. He also wrote an appealing evening hymn, “Now the
day is over,” that Joseph Barnby has made popular by his pleasing
tune, “Merrial.”
Public-domain text, read in full here on John Shaqi.
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