Another great hymn that made its premier appearance in _Spiritual Songs_ was “My faith looks up to Thee,” by Dr. Ray Palmer (1808-1887), set to one of Lowell Mason’s best tunes, “Olivet.” Meeting Dr. Palmer on the street, Mason asked him whether he had not an appropriate hymn for his forthcoming book; young Palmer remembered he had some verses in his pocketbook and handed them to Mason. Meeting Palmer a few days afterwards on the street, Mason with great earnestness exclaimed: “Mr. Palmer, you may live many years and do many good things, but I think you will be best known to posterity as the author of ‘My faith looks up to Thee!’” The prophecy, so literally fulfilled, speaks well for Mason’s critical acumen. Ray Palmer, despite Bishop Wordsworth’s objection to the pronouns of the first person, wrote “My faith,” “I pray,” “my guilt,” for his hymn was not intended to be sung, but simply to express his own spiritual experience. It was a personal prayer none the less that it took a metrical form. It is one of the great factors in its world-wide appeal that it becomes the personal expression of every individual who sings it. But Dr. Palmer was not the author of only a single song: he wrote many others of almost equal value. Writing a sermon on the words of Peter, “Jesus Christ, whom having not seen ye love,” he was suddenly overwhelmed by his rapture of love for the Christ, and, the sermon forgotten, he wrote down the hymn the church will never allow to die: “Jesus, these eyes have never seen That radiant form of thine; The veil of sense hangs dark between Thy blessed face and mine. I see thee not, I hear thee not, Yet art thou oft with me; And earth hath ne’er so dear a spot As where I meet with thee.” In his dying hour he was heard to repeat with broken voice the last stanza of this hymn: “When death these mortal eyes shall seal, And still this throbbing heart, The rending veil shall thee reveal, All glorious as thou art.” Other important hymns of Dr. Palmer’s are: “Come, Jesus, Redeemer, abide Thou with me,” “O Jesus, sweet the tears I shed,” “Take me, O my Father, take me,” “O Christ, the Lord of heav’n, to Thee,” “Come, Holy Ghost, in love.” His translation of “Jesu, dulcedo cordium,” the Paris cento of “Jesu, dulcis memoria,” by an unknown Spanish abbess, is most highly esteemed: “Jesus, Thou joy of loving hearts.” This cento is made up of selected verses from “Jesu, dulcis memoria,” from which Edward Caswell took his admirable “Jesus, the very thought of Thee.” Dr. Leonard Bacon (1802-1881), the son of a missionary among the Indians of Michigan, is noteworthy in two particulars: he issued, at the age of twenty-one, the first collection of missionary hymns printed in America, and he wrote the New England patriotic hymn still used in our churches,