The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
While our discussion attempts to consider every phase of the Christian
hymn, its chief interest to us lies in it as a means to an end. It may
be a work of literary art, the expression of a noble genius admirable
in itself; it may be an interesting epitome of some noble doctrine
that calls for appreciation of its lucidity and comprehensiveness; but
for us its primary quality must be its adaptation to meet spiritual
needs, in other words, its usefulness in religious work. In some way
it must help in the work of the church, if it is to come within the
sweep of our present horizon.
II. ANALYSIS OF PRACTICAL APPLICATION OF HYMNS
There are two values in the singing of hymns that must needs be taken
into consideration: one is the sheerly musical or nervous value; the
other is the message or burden of the hymn. The two must co-operate
for the best results.
There are two lines of application in using hymns: the one is the
expression and further intensification of an existent religious
feeling; the other, the creation of religious interest or emotion
where none exists. The two types of hymns must be clearly
distinguished, if proper and efficient use is to be made of them.
The first type is worshipful, religiously emotional, based on personal
experience, tenderly meditative. The second is didactic,
inspirational, or hortatory.
III. THE USE OF HYMNS FOR CREATING RELIGIOUS INTEREST
In selecting hymns for the opening of a religious meeting, the
existing nervous and emotional condition of the congregation is an
important factor. That condition may be due to an unlimited number of
influences. Are they gathering under the open sky, in a tent, in a
rough tabernacle, or amid churchly surroundings? What is the character
and background of the assembled people? In a distinctly unreligious
environment, the crowd will be disorganized, in a nervous flutter, in
a secular state of mind, more consciously interested in securing a
desirable seat than in the purpose of the meeting. The people need to
be psychically organized as a unit, need to have their attention
concentrated on the occasion of the meeting, need to be brought into a
religious state of mind. There is nothing better than the singing of a
hymn to secure these very essential results. The unifying effect of
common action, the nervous calming of the music, the religious
suggestiveness of the hymn itself, all will co-operate in creating the
proper attitude of mind.
What hymn shall we use to secure such a diversified result? Shall it
be “My faith looks up to Thee,” or “O Love that wilt not let me go”?
They are both superexcellent hymns, but they would be utterly out of
place. They belong to the first type, the expression of existent
religious feeling; but there is little or no such feeling under the
proposed circumstances. The people are not in a state of mind to sing
them sincerely and earnestly. It would lead to the all too common
hypocrisy of indifference.
Public-domain text, read in full here on John Shaqi.
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