The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
Moreover, the tunes to these hymns are not of the organizing or
stimulating type, fine as they are. They are tunes of expression of
existing feeling, not of exhilaration or inspiration.
For such a miscellaneous crowd as has been described, a much less
emotional hymn with a somewhat livelier tune is called for, such as
“Blow ye the trumpet, blow,” “Come, we that love the Lord,” or
“Onward, Christian soldiers.” In most cases a lively Gospel song, such
as “Sunshine in my soul,” “Rescue the perishing,” or even, in extreme
cases, “Brighten the corner where you are” is more effective. The
problem is not so much that of making a religious impression, as of
preparing the people to receive a religious impression. To use tender,
deeply emotional, profoundly spiritual hymns for such preliminary
treatment is to flout psychology.
If the congregation meets in a church or other distinctly sacred
edifice, the religious associations will simplify the problem. In
part, at least, the secular attitude will have given place to a
hospitality of mind for religious ideas and impressions. Under
favorable circumstances the nervous strain will relax and religious
susceptibilities will begin to function. These nervous and mental
transformations of mood will be deepened by the organ prelude, if that
has been wisely selected and effectively played.
In some conservative, devout congregations where solemn earnestness is
the prevailing mood, and the bowed head on entering the pew is not a
mere convention, the usual Doxology may be used after the call to
worship; but usually an introit, such as “The Lord is in His holy
temple” or “Oh, come, let us worship,” sung by the choir, will be the
wiser preparation for the preacher’s invocation. The “Gloria Patri”
should prepare the congregation for some solemn hymn of profound
worship, such as “My God, how wonderful Thou art,” or “Lord of all
being, throned afar.” By the time this is sung, the members of the
congregation should be united in sympathy and responsiveness to the
worshipful exercises that follow.
If the service is to be a joyous one, with an aggressive purpose, the
hymns should still be strictly worshipful, but more animated. “Come,
sound His praise abroad,” “Oh, worship the King, all-glorious above,”
or “Kingdoms and thrones to God belong” should be the unifying
spiritualizing agency.
But if the social instincts are allowed to find expression as the
people gather, and more or less furtive conversation and even gossip
are heard, or worse yet, if the Sunday school has overflowed into the
auditorium or, for lack of separate room, has occupied it, and the
going out of the school and the coming in of the congregation make a
confusion that submerges the hallowed associations of the place, a
much more difficult problem is faced, and a more conscious effort must
be made to prepare the people in mind and heart for the experience of
the hour.
Public-domain text, read in full here on John Shaqi.
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