The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
A preacher whose heart is a barometer of the spiritual condition of
his people has no difficulty in finding subjects and texts for his
sermons. If the needs of his people press upon him, those needs
furnish an arc light that illuminates the Bible, and a suggestiveness
that brings him an embarrassment of homiletical riches. Given a clear
recognition of a definite immediate need and the consequent definite
purpose, it will not only make sermonizing easy but will control the
rest of the service. Not the theme of the sermon, but the purpose of
the service as a whole, will be the organizing vitality.
II. SUGGESTIVE SELECTIONS OF HYMNS
Here is an earnest pastor who is impressed with the growing
materialism, or worldliness, of his people. How shall be best dredge
the stagnant shallows of their souls? He decides, not upon a single
sermon, but upon a series of services with cumulative power, whose
whole outlook shall be upon the Person and Character of God as the
basis of his claims upon his creatures. There will be sermons upon
these high themes of course, but they will call for noble and elevated
co-ordinate co-operation in the rest of the service. Now these sermons
should all be peculiarly worshipful, but that worship will be set to
different keys.
_Hymns for Service on God’s Omnipotence._
The sermon on the Divine Omnipotence calls for a noble enthusiasm. The
hymns should be majestic and joyful. After profoundly worshipful
preliminary exercises it will not be wise to sing Watts’ hymn,
“Let all the earth their voices raise,
To sing the great Jehovah’s praise,
And bless His holy name,”
to the tune “Ariel” for the first hymn in spite of its appropriateness
of thought: first, because it is not sufficiently elevated, and
secondly, because the tune is too light. Watts’ more majestic hymn,
“Before Jehovah’s awful throne,
Ye nations bow with sacred joy,”
sung to “Old Hundredth,” would be more harmonious with the general
purpose of the service. By the time the second hymn is reached there
must be some exhilaration of spirit. It will not be desirable
therefore to select
“All people that on earth do dwell,
Sing to the Lord with cheerful voice”;
first, because it is in exactly the same key of feeling as the
previous hymn; second, because for that reason no tune is quite so
fitting to it as “Old Hundredth,” which is already provided for; and
third, because the presumable intensifying of feeling by this time
calls for a brighter text and more spirited music. But it must be a
hymn of worship, none the less; we choose, therefore,
“Oh, worship the King, all-glorious above;
Oh, gratefully sing His power and His love,”
the interrupted dactylic measure and triple time tune giving both
dignity and movement.
Public-domain text, read in full here on John Shaqi.
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