The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
If the prelude was a joyfully majestic composition, the anthem one of
elevated praise—e.g., a “Venite” or a “Jubilate”—the responsive
reading and the choir responses reverent and worshipful, the long
prayer of the preacher exalted with genuine adoration (forgetful of
the routine catalogue of petty petitions), and the Scripture passage
noble with inspiring truth, the service might close at this point as
having already realized its prime object of worship. There must have
been something radically wrong in the spirit and management of it, if
the preacher does not find his people responsive and himself
inspiringly attuned to his noble theme. At the close of his discourse
on the Divine Omnipotence, his people will presumably be ready to sing
“Let all on earth their voices raise,
To sing the great Jehovah’s praise,
And bless His holy name.”
to the exhilarating movement of the tune “Ariel.” The organist’s
postlude will be characterized by a joyful solemnity, some strong
_maestoso_ movement.
_Hymns for Service on God’s Love._
A service devoted to the worship of God, as manifested in His love,
offers a wider range of possibilities. Is it the love manifested in
the atonement? there may be the somber element of the crucifixion
combined with its nobly elevated aspects; is it the love manifested to
His children? there will be a chastened ecstasy in the hymns and
prayers; is it the love that consoles and comforts? there will be the
tender and sympathetic development of the theme—each will call for its
own selection of hymns. As the last is perhaps the most difficult, let
us see what program we should prepare for it.
_a._ Tender Service.
The organ prelude will be soft, sweet music, full of chromatic chords
that melt one into the other, or a tender, emotional melody with soft
accompaniment. The usual opening doxology will give way to an introit,
sung very gently by the choir, set to a text expressing divine
sympathy or a prayer for help. The invocation will be a plea for God’s
manifest presence among His needy people. The first hymn sung by the
congregation will sustain the feeling already established,
“Lord, we come before Thee now,
At Thy feet we humbly bow,”
sung to the tune “Aletta” or “Pleyel’s Hymn.” The responsive reading
may be the forty-second and forty-third Psalms. The choir, having been
advised in good time what was desired, sings some sympathetic setting
of the twenty-third Psalm, or of the forty-second Psalm, or of the
hymn “Just as I am.” If the preacher has kept step in his heart with
the emotional progress of his service, the long prayer will be an
expression of the need of the people and of a tender appreciation of
God’s loving sympathy, closing with an ascription of praise to His
limitless love. The people ought now to be ready to sing
“Love divine, all loves excelling,
Joy of heaven, to earth come down.”
Public-domain text, read in full here on John Shaqi.
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