The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
A Christian hymn should express some definite recognition of God as
manifested in Jesus Christ. Even if, as in metrical psalms, the name
of Christ is not used, it should be implied, and unanimously accepted
as implied. It may be worship, praise, prayer, confession, acceptance
of salvation through Jesus Christ, spiritual experience, consecration,
Christian doctrine, Christian hopes—or any other aspect or activity of
the Christian faith. This is the very heart of the Christian hymn.
IV. SCRIPTURAL ELEMENTS OF THE HYMN
_Hymns Based on the Scriptures._
If the hymn is to be religious and Christian, it must be based on
scriptural ideas, of course; we have no other authoritative source for
our doctrines or experiences. All our other religious ideas and
methods—our doctrines, our ethics, our religious ideals and
impulses—find their roots there. We cannot afford to sing far-fetched
inferences from unrelated scriptural passages when we have such bodies
of stupendous truth awaiting our contemplation, and when the hymnic
expression of the emotions which those high and conspicuous doctrines
call forth is so freely available. Scriptural truth, so plain that he
who runs may sing, is the only raw material from which Christian hymns
can be produced. It will provide for every religious need of the
individual and of the Church.
_Use of Scriptural Forms Desirable._
There can be no question but that when scriptural phraseology is used
spontaneously, it adds very much to the impressiveness of the hymn
because of the devout associations it brings up in the minds of the
singers. The hymn by so much acquires an authoritativeness and
elevation beyond ordinary verbiage.
But while the body of thought in a hymn must be distinctly religious,
and therefore scriptural, it does not follow that the forms of
expression must be scriptural as well. A distinguished writer on the
subject here seems to be at fault: “Nothing should be called a hymn
and nothing should be sung in our assemblies which is not virtually a
paraphrase—and that a very faithful one—of Scripture passages, whether
they are immediately connected in the Holy Word or not.” Apply that
rule to our hymnbooks and what would we have left?
Although biblical phrases do occur in many hymns, a very close
adherence to this rule would stifle the poet’s spontaneity and make
his hymn stiff and mechanical, like most of the metrical psalms. Such
a rule may seem very devout to the cursory reader, but really it is
mischievous; it is sheer bibliolatry, an emphasis of the letter that
killeth at the expense of the spirit that maketh alive.
V. THE HYMN MUST BE FITTED FOR MASS SINGING
That the hymn is a distinctly social expression, participated in by
the varied personalities massed in a congregation, introduces marked
limitations that cannot be evaded.
_Congregational Singing Is a Pronounced Christian Exercise._
Public-domain text, read in full here on John Shaqi.
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