The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
If any authority for the use of hymns were needed beyond the unfailing
urge of a sanctified soul to find expression for its spiritual
experiences and to persuade other souls to seek a like blessed
privilege, there would be ample provision in the development of
religious song in the Jewish church, in the participation of Jesus in
such a song at so high a peak of religious solemnity as the
institution of “The Lord’s Supper,”[11] in the use of song by the
Apostles in their private meetings and in unusual personal experiences
from the very beginning,[12] in the exhortations of Paul[13] and
James,[14] and in the choral scenes of the great Apocalypse.[15]
_The Use of Hymns in the Development of the Christian Church._
But the use God has made of song through the succeeding centuries of
the development of the Christian Church, is an even more striking
indication of the high importance placed upon sacred song by the
divine mind.
The results of the thoughtful use of song, both in ancient times and
the recent past, abundantly illustrate its value and are genuine
laboratory proof of its power in deepening the spirituality of
individuals, of communities, and even of nations. The hymns of Huss
and of Luther, the psalmody of Calvin and of Knox, the preparatory
effect of the hymns of Watts for the great Second Reformation in
England and its intensification by the hymns of the Wesleys, the
joyous singing of rudely fashioned psalms and the newly introduced
hymns in the Great Awakening in New England, the great evangelistic
movement in America and in England with its enthusiastic singing of
unpretentious Gospel songs—all establish on unquestionably scientific
basis the spiritual value of sacred song.
_Cultural Value of Hymns._
Compare the number of people in any given city or community who read
poetry in any of its forms with the number of church attendants who
read, even when they do not sing, from three to eight hymns every
Lord’s Day. In literary influence, unconsciously absorbed, this wide
use of hymns is vastly more effective upon the public at large than
the more intensive and conscious influence of distinctly literary
verse.
Millions of homes in Great Britain and America have copies of the
Bible and of some hymnbook, while few of them have books of poetry.
Phrases from hymns and psalms are a large part of the religious
vocabulary of millions. They are quoted not only in sermons, but in
essays and general writings and in the public press, perhaps more
generally than are poems.
They have been appreciated by the greatest minds, who found them to be
of great comfort and even delight, including such men as Benjamin
Franklin (who first issued Watts’ hymns in America), George
Washington, John Adams, Thomas Jefferson, and William Ewart Gladstone.
They deeply interested the man, Matthew Arnold, although the literary
critic, Matthew Arnold, had no use for them.
_Spiritual Value of Hymns._
Public-domain text, read in full here on John Shaqi.
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