Quite unconsciously Peter was for a little while the whole topic of
conversation at Dons' dinners. These hide-bound professors were really
quite surprised at the remarkable way in which, at one fell swoop, this
man Peter Guthrie had managed to weld together the English and American
undergraduates for the first time in their knowledge. Some of them put
it all down to his piano playing--and were very nearly right. Others
conceived his great laugh to be mainly responsible--and were not far
short of the mark. But it was Nicholas Kenyon, the psychologist, who put
his finger on the whole truth of this swift and unbelievable success. He
said that it was Peter's humanity which had conquered Oxford, and in so
doing proved--impecunious only son of an absolutely broke peer as he
was--that he would be able to make a very fair living in the future on
his wits. It may be said that he never intended to work.
It was part of Peter's honesty and simplicity to remain American. He
made no effort to ape the Oxford manner of speech. He would see himself
shot before he got into the rather effeminate clothes affected by the
Oxford man. He continued to be natural, to remain himself, and not to
take on the colors chameleon-wise of those about him. His Stetson hat
was the standing joke of St. John's. Nevertheless, there was not one man
in the college who would not have hit hard if any derogatory remarks had
been thrown at the head inside it. His padded shoulders, upholstered
ties and narrow belt were all frequently caricatured, but the sound of
Peter's laugh gathered men together like the music of the Pied Piper of
Hamelin. It was just that this man Peter Guthrie was a _man_ that made
him not only accepted in a place seething with quaint and foolish
habits, out-of-date shibboleths and curious unwritten laws, but loved
and respected. Here was one to whom merely to live was a joy. To the
despondent he came therefore as a tonic. He exuded breeziness filled
with ozone. His continuous high spirits infected even those foolish
boys who were encrusted with affectation and stuccoed with the petty
side and insolence of Eton. He worked hard and played hard and slept
like a dog, ate hearty and drank like a thirsty plant. Also he smoked
like a factory chimney. He had no crankish views--no tolerance for
"isms," and was not ashamed to stride into chapel and say his prayers
like a simple boy. In short, "unashamed" was his watchword, and he had
been endowed with the rare gift of saying "No," and sticking to it. And
to Nicholas Kenyon, who frequented the rooms of the so-called
intellectuals--those "little dreadful clever people" who parroted and
perverted other men's thoughts and possessed no originality of their
own--it was a stroke of genius on Peter's part to have nothing but the
photographs of his family all over his rooms. He must be a big man,
Nicholas said to himself, who could afford, among the very young, to
dispense with the female form divine in his frames--the nudes so
Public-domain text, read in full here on John Shaqi.
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