“I also had thought of that,” replied Publius. “Go with the chief of the Diadoches, whose splendid house was shown to us yesterday. It is on the way to the Serapeum, and just now at the feast you were talking with him incessantly. When there, indemnify the driver by the gift of a gold piece, so that he may not betray us, and do not return here but proceed to the harbor. I will await you near the little temple of Isis with our travelling chariot and my own horses, will receive Irene, and conduct her to some new refuge while you drive back Fuergetes’ chariot, and restore it to the driver.” “That will not satisfy me by any means,” said Lysias very gravely; “I was ready to give up my pomegranate-flower to you yesterday for Irene, but herself--” “I want nothing of her,” exclaimed Publius annoyed. “But you might--it seems to me--be rather more zealous in helping me to preserve her from the misfortune which threatens her through your own blunder. We cannot bring her here, but I think that I have thought of a safe hiding-place for her. “Do you remember Apollodorus, the sculptor, to whom we were recommended by my father, and his kind and friendly wife who set before us that capital Chios wine? The man owes me a service, for my father commissioned him and his assistants to execute the mosaic pavement in the new arcade he was having built in the capitol; and subsequently, when the envy of rival artists threatened his life, my father saved him. You yourself heard him say that he and his were all at my disposal.” “Certainly, certainly,” said Lysias. “But say, does it not strike you as most extraordinary that artists, the very men, that is to say, who beyond all others devote themselves to ideal aims and efforts, are particularly ready to yield to the basest impulses; envy, detraction, and--” “Man!” exclaimed Publius, angrily interrupting the Greek, “can you never for ten seconds keep on the same subject, and never keep anything to yourself that comes into your head? We have just now, as it seems to me, more important matters to discuss than the jealousy of each other shown by artists--and in my opinion, by learned men too. The sculptor Apollodorus, who is thus beholden to me, has been living here for the last six months with his wife and daughters, for he has been executing for Philometor the busts of the philosophers, and the animal groups to decorate the open space in front of the tomb of Apis. His sons are managers of his large factory in Alexandria, and when he next goes there, down the Nile in his boat, as often happens, he can take Irene with him, and put her on board a ship. “As to where we can have her taken to keep her safe from Euergetes, we will talk that over afterwards with Apollodorus.”