The Sisters of Lady Jane Grey and Their Wicked Grandfather: Being the True Stories of the Strange Lives of Charles Brandon, Duke of Suffolk, and the Ladies Katherine and Mary Grey, sistersDavey, Richard
History
The Sisters of Lady Jane Grey and Their Wicked Grandfather: Being the True Stories of the Strange Lives of Charles Brandon, Duke of Suffolk, and the Ladies Katherine and Mary Grey, sisters
Davey, Richard
Cumberland, Eleanor Brandon Clifford, Countess of, 1519-1547; Hertford, Katherine Seymour, Countess of, 1540-1568; Keys, Mary Grey, 1545?-1578; Suffolk, Charles Brandon, Duke of, approximately 1484-1545
The biographies of the two princesses, Katherine and Mary Grey, are
preceded by a few chapters dealing with Charles Brandon, Duke of
Suffolk, and Mary Tudor, their grandfather and grandmother. I have
published these chapters, because they seem to me to complete the
history of this strange family, and enable me to place before my
readers a subject never before, I believe, treated in detail: that of
the remarkable series of marriages of Charles Brandon, who, at the
time that he was courting his king’s sister, had two wives living,
one of whom, the Lady Mortimer, was destined to give him considerable
trouble, and to vex his spirit and that of his consort not a little. I
think I may claim to be the first writer on Tudor topics and times who
has been able to determine who was this Lady Mortimer, Brandon’s first
wife, and to trace her very interesting pedigree to a singular source.
The story of Charles Brandon and of his clandestine marriage with Mary
Tudor has been frequently related, and, indeed, it forms the subject
of one of the last essays ever written by Major Martin Hume. Brandon’s
earlier adventures, however, have entirely escaped the attention
of historians, and are only alluded to in a casual manner in most
volumes on this subject. Brandon had a very interesting and complex
personality, and the strange resemblance which existed between him and
his master, King Henry VIII, forms not the least singular feature in
his romantic career. This resemblance was not only physical, but moral.
So great was it, from the physical point of view, that certain of his
portraits are often mistaken for those of King Henry, to whom, however,
he was not even remotely connected by birth. As to his moral character;
his marriages—he had four wives, whilst a fifth lady, Baroness Lisle,
was “contracted to him”—tend to prove that either Henry VIII influenced
his favourite, or the favourite influenced his master, especially in
matters matrimonial.
A brief account of Lady Eleanor Brandon and her heirs closes this
volume, which I hope will receive from the public as indulgent and
kindly a reception as did the story of Lady Jane Grey (_The Nine-days’
Queen_), of which the celebrated M. T. de Wyzewa, in a lengthy review
in the _Revue des Deux Mondes_, did me the honour of saying that
“Jamais encore, je crois, aucun historien n’a reconstitué avec autant
de relief et de couleur pittoresque le tableau des intrigues ourdies
autour du trône du vieil Henri VIII et de son pitoyable successeur,
Edouard VI.”
Public-domain text, read in full here on John Shaqi.
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