The six books of Proclus, the Platonic successor, on the theology of Plato (vol. 1 of 2) : $b translated from the Greek, to which a seventh book is added, in order to supply the deficiency of another book on this subject, which was written by Proclus, but since lost, also, a translation from the Greek of Proclus' Elements of theology, to which are added a translation of the treatise of Proclus, On providence and fate, a translation of extracts from his treatise, entitled, Ten doubts concerning Proclus
Philosophy
The six books of Proclus, the Platonic successor, on the theology of Plato (vol. 1 of 2) : $b translated from the Greek, to which a seventh book is added, in order to supply the deficiency of another book on this subject, which was written by Proclus, but since lost, also, a translation from the Greek of Proclus' Elements of theology, to which are added a translation of the treatise of Proclus, On providence and fate, a translation of extracts from his treatise, entitled, Ten doubts concerning
Proclus
Neoplatonism -- Early works to 1800; Plato -- Early works to 1800; Theology -- Early works to 1800
“But [the Galilæans will say,] O! you who have admitted into your soul
every multitude of dæmons, whom, though according to you they are
formless and unfigured, you have fashioned in a corporeal resemblance,
it is not fit that honour should be paid to divinity through such
works. _How, then, do not we [heathens] consider as wood and stones
those statues which are fashioned by the hands of men? O more stupid
than even stones themselves! Do you fancy that all men are to be drawn
by the nose as you are drawn by execrable dæmons, so as to think that
the artificial resemblances of the Gods are the Gods themselves?_
Looking therefore to the resemblances of the Gods, we do not think them
to be either stones or wood; for neither do we think that the Gods
are these resemblances; since neither do we say that royal images are
wood, or stone, or brass, nor that they are the kings themselves, but
the images of kings. Whoever, therefore, loves his king, beholds with
pleasure the image of his king; whoever loves his child is delighted
with his image; and whoever loves his father surveys his image with
delight.[46] Hence also, he who is a lover of divinity gladly surveys
the statues and images of the Gods; at the same time venerating and
fearing with a holy dread the Gods who invisibly behold him.[47]
The Catholics have employed arguments similar to these, in defence of
the reverence which they pay to the images of their saints. Indeed,
it is the doctrine of the Church of England,[48] that the Catholics
form the same opinions of the saints whose images they worship as
the Heathens did of their Gods; and employ the same outward rites in
honouring their images, as the Heathens did in the religious veneration
of their statues. Thus as the Heathens had their _tutelar Gods_,
such as were Belus to the Babylonians and Assyrians, Osiris and Isis
to the Egyptians, and Vulcan to the Lemnians, thus also the Catholics
attribute the defence of certain countries to certain saints. Have
not the saints also to whom the safeguard of particular cities is
committed, the same office as the _Dii Præsides_ of the Heathens?
Such as were at Delphi, Apollo; at Athens, Minerva; at Carthage, Juno;
and at Rome, Quirinus. And do not the saints to whom churches are built
and altars erected correspond to the Dii Patroni of the Heathens? Such
as were in the Capitol, Jupiter, in the temple at Paphos, Venus, in the
temple of Ephesus, Diana. Are not likewise, our Lady of Walsingham, our
Lady of Ipswich, our Lady of Wilsdon, and the like, imitations of Diana
Agrotera, Diana Coriphea, Diana Ephesia, Venus Cypria, Venus Paphia,
Venus Gnidia, and the like? The Catholics too, have substituted for the
marine deities Neptune, Triton, Nereus, Castor and Pollux, Venus, &c.
Saint Christopher, Saint Clement, and others, and especially our Lady,
as she is called by them, to whom seamen sing _Ave Maris stella_.
Neither has the fire escaped their imitation of the Pagans. For instead
Public-domain text, read in full here on John Shaqi.
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