Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Produced by Al Haines.
[Illustration: "’I shall have the detectives here—a man and a
woman—within half an hour. There is nothing to do but wait’"—Page 61]
*THE
SIXTY-FIRST
SECOND*
BY
OWEN JOHNSON
AUTHOR OF "STOVER AT YALE," ETC.
_ILLUSTRATED BY A. B. WENZELL_
NEW YORK
FREDERICK A. STOKES COMPANY
PUBLISHERS
_Copyright, 1912, 1913, by_
THE MCCLURE PUBLICATIONS, INC.
_Copyright, 1913, by_
FREDERICK A. STOKES COMPANY
_All rights reserved, including that of translation into foreign
languages, including the Scandinavian_
_March, 1913_
*ILLUSTRATIONS*
"’I shall have the detectives here—a man and a woman—within half an
hour. There’s nothing to do but wait’" . . . . . . _Frontispiece_
"In that gay party one person was a thief—but which one? ... A match
sputtered. There was a cry of amazement and horror. The table was
absolutely bare"
"’Look here, Rita. Can’t I help out some way?’"
"’Come outside—in the garden. I want to speak to you. Come quietly’"
"’I have not hesitated to trust in you—you must in me’"
"’Aha! I made them sit up, didn’t I—your cold women!’"
*The Sixty-First Second*
*CHAPTER I*
In the year 19—, toward the end of the month of October, the country was
on the eve of a stupendous panic. A period of swollen prosperity had
just ended in which Titans had striven in a frenzy for the millions that
opportunity had spilled before them.
For months the stock market had steadily lowered, owing to the flight of
the small investor, affrighted by the succession of investigations, the
fear of readjustments, and the distrust of the great manipulators. The
public, which understands nothing of the secret wars and hidden
alliances of finance, had begun tremulously to be aware of the
threatening approach of a stupendous catastrophe. So in the ominous,
grumbling days of October, when the air was full of confusing rumors and
violent alarms, the public, with its necessity for humanizing all
sensations, perceived distinctly only two figures, each dramatically in
peril, about whose safety or ruin the whole comprehensible drama of the
financial cataclysm seemed to center.
Public-domain text, read in full here on John Shaqi.
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