Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
"You’re a nice boy, Teddy," she said, patting his hand. "Now, hang up
your coat, and help me with the candles."
She watched him as he slipped his overcoat from the trim wide shoulders,
revealing all at once the clean-cut, well-tailored figure, full of
elasticity and youth. Teddy Beecher always gave her a sense of
well-being and pleasant content, with his harum-scarum ways and inviting
impudence. As he roused no intellectual resistance in her, she was all
the more sensitive to the purely physical charm in him, which she
appreciated as she might appreciate the finely strung body and
well-modulated limbs of a Perseus by Benvenuto Cellini.
"Will I help you? Command me," he said, coming in eagerly. "Don’t you
know, there’s a little silver collar about my neck, and the inscription
is, ’This dog belongs to Rita Kildair.’ Jove, Rita, but you’re stunning
tonight!"
He stood stock-still in frank amazement. He had known her but a short
while, and yet he called her by her first name—a liberty seldom
accorded; but the charm he unconsciously exerted over women, and which
impatiently mystified other men, was in the very audacity of his
enjoyment of life, which imparted to women the precious sense of their
own youth.
"Really?" she said, raising her hand to her hair, that he might notice
the glorious ruby.
"Look here—I’ve only got a miserable thirty thousand a year, but I’ve
got a couple of uncles with liver trouble and a bum heart. Say the
word—I’m yours."
While he said it with a mock-heroic air, there was in his eyes a flash
of excited admiration that she understood and was well pleased with.
"Come, Teddy," she said, a little disappointed that he did not perceive
the ring. "To work. Take this taper."
He took the wax, contriving to touch her fingers with feigned
artlessness.
"I say, Rita, who’s the mob here tonight? Do I know any one? I get the
place next to you, of course?"
"Begin over there," she directed. "The Enos Bloodgoods are coming;
you’ve met her here."
"I thought they were separated, or something."
"Not yet."
"By George, Rita, there’s no one like you—serving us up a couple on the
verge."
"That is not all—I like situations," she said, with her slow smile.
"I like Elise; but as for the old boy, he can slip on a banana peel and
break his neck, for all I care.
"Then there’s a broker, Garraboy, Elise’s brother."
"Don’t know him."
"Maud Lille, who’s written clever books—a journalist."
"Don’t know her—hate clever women."
"Nan Charters—"
"Who?" said Beecher, with upraised wick.
"Nan Charters, who played in ’Monsieur Beaucaire.’"
"Bully!"
She smiled at his impetuousness, and continued:
"Mr. Majendie and the Stanley Cheevers."
"Oh, I say—not those—"
"Well?" she said as he stopped.
"You know the gambling story," he said reluctantly.
"Club gossip."
Public-domain text, read in full here on John Shaqi.
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