Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Garraboy, with his malicious smile, perceiving that Bloodgood’s hatred
was purely financial, chuckled to himself, took a couple of glasses in
rapid succession, and returned to the table under perfect control, not
without a scowl at the other end of the table, where Nan Charters and
young Beecher were laughingly disputing the possession of the
pepper-shaker.
A moment later, as Mrs. Cheever was exclaiming at their hostess’
prolonged delay to Garraboy, who was dipping into the lobster à la
Newburg, which he was preparing to serve, Mrs. Kildair slipped into the
room like a lengthening shadow. Her entrance had been made with
scarcely a perceptible sound, and yet each guest was aware of it, at the
same moment, with the same uncontrollable nervous start.
"Heavens, dear lady," exclaimed Garraboy, with a twitch of his arms.
"You come in on us like a Greek tragedy. What is the surprise?"
As he spoke, Beecher, looking up, saw her turn suddenly on him, drawing
her forehead together until the eyebrows ran in a straight line.
"I have something to say to you all," she said in a quiet, discordant
voice, while her eyes ran restlessly through the company with a
predatory sharpness.
There was no mistaking the gravity in her voice. Garraboy extinguished
the oil-lamp, covering the chafing-dish clumsily with a disagreeable
tinny sound; Mrs. Cheever and Mrs. Bloodgood swung about abruptly; Maud
Lille rose a little from her seat; Nan Charters, dramatically sensitive,
seized unconsciously the arm of young Beecher; while the men, with the
exception of Slade, who still watched Majendie like a terrier, imitated
their movements of expectancy with a clumsy shuffling of the feet.
"Mr. Bloodgood."
"Yes, Mrs. Kildair?"
"Kindly do as I ask."
"Certainly."
She had spoken his name with a peremptory positiveness that was almost
an accusation. He rose, placing his napkin carefully at the side of his
plate, raising his short eyebrows a little in surprise.
"Go to the vestibule," she continued, immediately shifting her glance
from him to the others. "Are you there? Shut the sliding doors that
lead into the studio. Lock them. Bring me the key."
He executed the order without bungling, while the company, in growing
amazement, fascinated, watched his squat figure returning with the key.
"You’ve locked it?" she said, making the question an excuse to bury her
glance in his.
"As you wished me to."
"Thanks."
She took from him the key, and, shifting slightly, likewise locked the
door into her bedroom through which she had come.
Then, transferring the keys to her left hand, seemingly unaware of
Bloodgood, who still composedly awaited her further instructions, her
eyes studied a moment the possibilities of the apartment and then
returned to her guests.
"Mr. Cheever," she said abruptly.
"Yes, Mrs. Kildair."
"Put out all the candles except the candelabrum on the table."
Public-domain text, read in full here on John Shaqi.
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