Science fiction; Space flight -- Fiction; Space ships -- Fiction
Prescott watched the needle in amazement as it dipped deeper and deeper,
pointing down into the earth almost under his feet and then behind him,
as though DuQuesne had walked beneath him. He did not, could not,
believe it. He was certain that something had gone wrong with the
strange instrument in his hand, nevertheless he followed the pointing
needle. It led him beside Park Road, down the hill, straight toward the
long bridge which forms one entrance to Rock Creek Park. Though
skeptical, Prescott took no chances, and as he approached the bridge he
left the road and concealed himself behind a clump of trees, from which
point of vantage he could see the ground beneath the bridge as well as
the roadway. Soon the bridge trembled under the weight of a heavy
automobile going toward the city at a high rate of speed. He saw
DuQuesne, with a roll of papers under his arm, emerge from under the
bridge just in time to leap aboard the automobile, which slowed down
only enough to enable him to board it in safety. The detective noticed
that the car was a Pierce-Arrow limousine--a car not common, even in
Washington--and rushed out to get its number, but the license plates
were so smeared with oil and dust that the numbers could not be read by
the light of the tail lamp. Glancing at the compass in his hand he saw
that the delicate needle was now pointing steadily at the fleeing car,
and all doubts as to the power of the instrument were dispelled. He
rejoined his men, informed them that DuQuesne had eluded them, and took
one of them up the hill to a nearby garage. There he engaged a fast car
and set out in pursuit, choosing the path for the chauffeur by means of
the compass. His search ended at the residence of Brookings, the General
Manager of the great World Steel Corporation. Here he dismissed the car
and watched the house while his assistant went to bring out the fast
motorcycle used by Prescott when high speed was desirable.
Public-domain text, read in full here on John Shaqi.
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