thrilling with love of country, and his tempestuous ballads of heroism
and revenge—_these_ have fostered his sense of patriotism, his yearning
for his downtrodden brothers, and his thirst for retribution. These
folk-songs have been handed down from one generation to another, and
to this day they have been preserved in all their pristine purity of
text and melody in the souls and memories of the Serbian people. It is
not necessary at a time of foreign menace to appeal to the Serb people
with elaborately-worded proclamations and inflammatory speeches. The
refrains of their songs suffice, and they take up arms as one man. But
the cause must be in harmony with the traditions of the past. They
fight like lions when they go to battle with their ancient songs upon
their lips. Thus did they war with the Turks—thus they are warring now
against Austria.
To the Serb the love of his language is second only to his love of
country. The most beautiful and melodious of all the Slav tongues,[8]
rich in idiom and soft in modulation, it is specially fitted to be the
medium of folk-poesy. This language, which is identical with that of
the Croats (thence the name Serbo-Croat tongue), has been the sacred
and abiding link between the Serbs and their still enslaved brothers in
Turkey and in Austria. The Serbian peasant is in the habit of calling
every one who speaks to him in a foreign language a “Schwabo”;[9] but
should the stranger address him in Serbian, or, indeed, in any of
the Slav tongues, he will say: “Pa ti si naš” (Thou art one of us).
Undoubtedly, apart from their national music, this bond of union has
been one of the strongest factors in the preparation of the future, for
through it the Serb can freely communicate with his brothers beyond
the frontier. Those dear familiar sounds tell him that his brothers
still live and share his speech, his songs and his yearnings. This
explains the unanimous enthusiasm of the _whole_ nation in the Balkan
War, as well as in the present second war of liberation. They are not
the soldiers of the king who have gone to war, but the soldiers of an
_ideal_. The miracles of valour these men have performed are not the
exploits of a war-machine, but of a great heart, in which hundreds of
thousands of hearts beat as one.
Public-domain text, read in full here on John Shaqi.
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